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Giraffes on Horseback Salad: Salvador Dali, the Marx Brothers, and the Strangest Movie Never Made

為了解決blue comedy comedian的問題，作者Frank, Josh,Heidecker, Tim 這樣論述：

 是故事，是劇本，也是尋寶記錄，更是史上最奇怪的一部（未拍成的）電影！  選好你的位置，戲要揭幕啦！ 　　作者Josh Frank向來對歷史中的奇聞軼事非常有興趣，而當他發現了一部名為《Giraffes on Horseback Salad》的劇本殘片，從此大大的為之著迷──因為劇本的創作者，居然是聞名世界的超現實主義大藝術家：達利Salvador Dali！ 　　原來在1937年，達利因為結識美國著名喜劇表演家族Marx Brothers，創作了這齣劇本《Giraffes on Horseback Salad》，又稱之為《The Surrealist Woman》。設定由Marx Bro

thers中的Harpo Marx扮演西班牙皇室成員吉米Jimmy，與一位超現實的女主角之間的愛情故事，充滿達利標誌性的想像奇幻情節。然而這部作品從來沒能夠真的被拍成電影，劇本更在之後失散而幾近被人遺忘。 　　Josh Frank從此展開了拼湊的尋寶之旅，尋訪各大收藏達利作品的美術館、藝術中心，把劇本的模樣一點一滴地恢復原狀。聯手演員、創作人Tim Heidecker與插畫家Manuela Pertega，把還原劇本的歷程，以及劇本的完整故事，演繹為這本打破框架的圖像作品！畫風貼近達利的超現實風格，飽和的全彩印刷，充滿戲劇性與張力的畫面安排，把這部未能成為電影問世的作品呈現在世界眼前，絕對讓

讀者驚嘆！(文/博客來編譯) This lushly illustrated graphic novel re-creates a lost Marx Brothers script written by modern art icon Salvador Dali. Grab some popcorn and take a seat...The curtain is about to rise on a film like no other But first, the real-life backstory: Giraffes on Horseback Salad was a Marx

Brothers film written by modern art icon Salvador Dali, who'd befriended Harpo. Rejected by MGM, the script was thought lost forever. Author and lost-film buff Josh Frank unearthed the original script, and Dali's notes and sketches for the project, tucked away in museum archives. With comedian Tim

Heidecker and Spanish comics creator Manuela Pertega, he's re-created the film as a graphic novel in all its gorgeous full-color, cinematic, surreal glory. In the story, a businessman named Jimmy (played by Harpo) is drawn to the mysterious Surrealist Woman, whose very presence changes humdrum reali

ty into Dali-esque fantasy. With the help of Groucho and Chico, Jimmy seeks to join her fantastical world--but forces of normalcy threaten to end their romance. Includes new Marx Brothers songs and antics, plus the real-world story behind the historic collaboration. 作者簡介 　　Josh Frank is author o

f Fool the World: The Oral History of a Band Called Pixies, In Heaven Everything Is Fine, and, with Black Francis and Steven Appleby, the illustrated novel The Good Inn. In his spare time, he owns and operates the Blue Starlite Mini-Urban Drive-In Movie Theatre in Austin, Texas. 　　Tim Heidecker is

an award-winning comedian, writer, director, actor, and musician. He is one half of the comedy team Tim & Eric, with Eric Wareheim, known for the TV shows Tom Goes to the Mayor, and Tim and Eric Awesome Show, Great Job!, as well as the film Tim & Eric’s Billion Dollar Movie and the popular book Tim

& Eric’s Zone Theory. 　　Manuela Pertega is a comics artist and illustrator based in Barcelona, Spain. She graduated from the University of Barcelona with a specialization in drawing and restoration/conservation. She teaches art at Badalona VII, a public art institute, and at La Taca, an art school.

blue comedy comedian進入發燒排行的影片

單人喜劇文化詞的翻譯策略：以《紅州藍州》為例

為了解決blue comedy comedian的問題，作者廖元儷 這樣論述：

在翻譯作品中，經常出現專屬源語社會文化的字詞。譯者得選擇策略，以正確傳達原文訊息給目標觀眾。此研究分析喜劇節目《紅州藍州》中所運用的翻譯策略: 直譯，詮釋，替換，省略，音譯，以及借譯。在對各文化詞進行翻譯策略的分類後，此研究再提出翻譯建議，並進行解釋與分析。 研究結果顯示，音譯在該文本當中是最常使用的翻譯策略，省略則是最少使用的。原因可能是文本中的社會與文化字詞跨文化性高，目標觀眾較容易理解。另一方面，文本中與社會文化相關的詞彙很少被省略，可能是因為這些字詞的存在對於笑梗的傳達與訊息的連貫不可或缺。此研究也以提高譯文的跨文化性為目標，對其中一些翻譯策略的選擇提出建議，提升目標觀眾對於原

語言社會與文化層面的認知。

Louis Farrakhan: And the Bow-ties of the Noi

為了解決blue comedy comedian的問題，作者Austin, Andre 這樣論述：

INTRODUCTION Here's looking at Min. Louis Farrakhan in a variety of ways: Essays, articles, letters, and fictional satirical Plays. Farrakhan is still riding on his claim to fame by insulting and making mockery of Jewish people in Israel. It's not my aim to knock this apostle of hate off his pale-gr

ey horse but to look at it critically and poke fun at it like a comedian donkey sometimes. The rider of the pale horse in revelations represented famine and pestilence (or poisoned food) and in my play All Praises Are Due, I offer some nutrition for Farrakhan to munch on Farrakhan is a wild and reck

less orator, even in his mid-eighties he's still roaring or braying like the devil's jazz trumpets of an Ass/Donkey laugh. One of the symbols of the NOI is the trumpet they display high-atop corner of their propagandist newspaper The Final Call. And calling by analogy of Min. Farrakhan to the metaph

or of the wild Donkey isn't out of bounds either. The Old Testament symbolized the Arab's ancestors to Ishmael would be wild and hostile towards his brothers (Gen 16:12). The Jewish community fed into Farrakhan's verbal hostility and rage by giving oxygen and air to his tongue of flames and got the

heels of Louis's hoofs. Farrakhan still plays the 8-track tape of the 1930's of a Blackman by the name of Yacub creating the blond blue-eyed race of white devils. Well I have news for the hateful apostle that the son can't be more devilish then the monster father who created him. Then the chuckle ge

ts even louder when he spouts a belief that a Space-craft (Mothership) will eventually come cruising down from the glorious clouds heaven and exterminate all these "Albino white people" and the unrighteous. His foreign policy is weird and terrible. His best friend in Africa was the late leader of Li

bya Gaddafi who was passing out Viagra pills to his loyalist who would rape his civilian protesters. Clearly Gaddafi went daffy on another incident when inmates in a dungeon prison cell objecting to guards leaving dead bodies to rot with them in their bunks. Gaddafi gave the word to the guards to sl

aughter all 2,000 plus prisoners. This is what broke the camel's back and started the revolution against him. Meanwhile Farrakhan characterized Gaddafi as an angel and God send to Libya. You can hear from the horse's mouth on his viral youtube rants and final call edicts . Following Farrakhan's lead

ership and advise would be like listening to the wisdom of a Mr. Ed. The best road to travel would be the tradition Civil Rights movement; and at the same avoiding the traps of being a mule to advance everybody's struggle but ours. We can't put a muzzle, bit and a bridle on the "beloved" apostle of

hate. However, we can saddle this wild bucking Stallion with comedy, satire and critical analysis until the wheels fall off and the glue factory comes to pick up the remains (Hee Haw). Take it light and take it serious. This isn't no horse-shit but at times you will get a horse-laugh. When the Jews

were upset with Apostle Paul they debunk him as stray donkey-ditto here.

喬治卡琳單口相聲中的政治幽默

為了解決blue comedy comedian的問題，作者陳啟淳 這樣論述：

此篇論文主要探討已逝單口相聲巨擎喬治·卡琳在其演出中政治幽默之特徵；研究以文化研究質性研究方法為架構，並運用論述分析與社會語言學研究法、最後以語料庫語言學佐證其研究發現：如常用委婉語之扭曲等等。喬治·卡琳之重大影響包括美國自由派思想之孳生成長，如1973年美國聯邦通信委員會(FCC)對其言論自由之箝制，最終由美國最高法院確認其政府權力以限定「不雅言談」之法律強制性預防。