1 2 comedy的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列線上看、影評和彩蛋懶人包

Maison Ikkoku Collector’s Edition, Vol. 10: Volume 10

為了解決1 2 comedy的問題，作者Takahashi, Rumiko 這樣論述：

Acclaimed author Rumiko Takahashi’s classic romantic comedy about finding your path in life.Yusaku Godai didn’t get accepted into college on the first try, so he’s studying to retake the entrance exams. But living in a dilapidated building full of eccentric and noisy tenants is making it hard for hi

m to achieve his goals. Now that a beautiful woman has moved in to become the new resident manager, Godai is driven to distraction! Believing that Godai has proposed to Kozue, Kyoko leaves Maison Ikkoku and moves back into her parents’ apartment. Will Godai be able to convince Kyoko--and her parents

--that he’s the man she should marry? The spotlight on Rumiko Takahashi’s career began in 1978 when she won an honorable mention in Shogakukan’s prestigious New Comic Artist Contest for Those Selfish Aliens. Later that same year, her boy-meets-alien comedy series, Urusei Yatsura, was serialized in

Weekly Shonen Sunday. This phenomenally successful manga series was adapted into anime format and spawned a TV series and half a dozen theatrical-release movies, all incredibly popular in their own right. Takahashi followed up the success of her debut series with one blockbuster hit after another--

Maison Ikkoku ran from 1980 to 1987, Ranma 1/2 from 1987 to 1996, and Inuyasha from 1996 to 2008. Other notable works include Mermaid Saga, Rumic Theater, and One-Pound Gospel. Takahashi was inducted into the Will Eisner Comic Awards Hall of Fame in 2018. She won the prestigious Shogakukan Manga Awa

rd twice in her career, once for Urusei Yatsura in 1981 and the second time forInuyasha in 2002. A majority of the Takahashi canon has been adapted into other media such as anime, live-action TV series, and film. Takahashi’s manga, as well as the other formats her work has been adapted into, have co

ntinued to delight generations of fans around the world. Distinguished by her wonderfully endearing characters, Takahashi’s work adeptly incorporates a wide variety of elements such as comedy, romance, fantasy, and martial arts. While her series are difficult to pin down into one simple genre, the s

ignature style she has created has come to be known as the Rumic World. Rumiko Takahashi is an artist who truly represents the very best from the world of manga.

1 2 comedy進入發燒排行的影片

觀影人情緒辨識分析之個人差異研究

為了解決1 2 comedy的問題，作者簡薏珈 這樣論述：

臉部表情的辨識通常可用來判斷觀影人在觀看影片時，情緒之高低起伏及轉折。本研究有兩個目標：1）判斷臉部表情是否可以用來辨別內心的情緒狀態，2）研究如何利用對個人差異的暸解來對臉部表情辨識系統進行個人化情緒校正。本研究提出了一個新的方法，整合了人工智慧臉部情緒辨識模型與個人情緒校正模型來對人臉部表情進行情緒校正。首先，臉部情緒辨識模型以人工智慧神經網路EfficientNet作為架構，進行情緒分類及面部情緒分數計算，並將辨識出的情緒分數歷程轉換為個人觀影各類情緒分數。接著以隨機森林（Random Forest）演算法作為分類器，從本研究設計的問卷所收集之觀眾個人資料、人格特質與影片資訊作為輸入，

來預測觀眾對影片的評分。為了驗證模型之可行性，本研究收集了十二部不同類型的喜劇或戲謔影片，並參考文獻設計了一個人格分析問卷及影片評分表，由觀影者在看完每部短片後立即評分，並在觀影後完成問卷。實驗結果顯示個人化差異因子與臉部情緒表情有顯著關聯，而且利用問卷所收集之個人化差異因子，在95%信賴區間下，可更準確地達到80％以上的準確度。從實驗結果也發現，不同面向的情緒分數能幫助個人情緒校正模型更有效的預測觀影者對影片的評分。

Yashahime: Princess Half-Demon, Vol. 2: Volume 2

為了解決1 2 comedy的問題，作者Shiina, Takashi 這樣論述：

The beloved fantasy adventure Inuyasha continues with the next generation of demon hunters!Can the three teenage daughters of demon dog half-brothers Inuyasha and Sesshomaru save their parents, themselves, and both realms from the menace of the seven mystical Rainbow Pearls? The spotlight on Rumik

o Takahashi’s career began in 1978 when she won an honorable mention in Shogakukan’s prestigious New Comic Artist Contest for Those Selfish Aliens. Later that same year, her boy-meets-alien comedy series, Urusei Yatsura, was serialized in Weekly Shonen Sunday. This phenomenally successful manga seri

es was adapted into anime format and spawned a TV series and half a dozen theatrical-release movies, all incredibly popular in their own right. Takahashi followed up the success of her debut series with one blockbuster hit after another--Maison Ikkoku ran from 1980 to 1987, Ranma 1/2 from 1987 to 19

96, and Inuyasha from 1996 to 2008. Other notable works include Mermaid Saga, Rumic Theater, and One-Pound Gospel. Takahashi was inducted into the Will Eisner Comic Awards Hall of Fame in 2018. She won the prestigious Shogakukan Manga Award twice in her career, once for Urusei Yatsura in 1981 and th

e second time for Inuyasha in 2002. A majority of the Takahashi canon has been adapted into other media such as anime, live-action TV series, and film. Takahashi’s manga, as well as the other formats her work has been adapted into, have continued to delight generations of fans around the world. Dist

inguished by her wonderfully endearing characters, Takahashi’s work adeptly incorporates a wide variety of elements such as comedy, romance, fantasy, and martial arts. While her series are difficult to pin down into one simple genre, the signature style she has created has come to be known as the ＂R

umic World.＂ Rumiko Takahashi is an artist who truly represents the very best from the world of manga.

起司不叫起司還是一樣美味？Willem Elsschot作品《起司》(Kaas)轉譯之研究

為了解決1 2 comedy的問題，作者楊得睿 這樣論述：

本研究旨在研究間接翻譯（indirect translation）對翻譯成果的影響。在本篇研究中，使用了比利時著名作家威廉．艾斯霍特（Willem Elsschot）的小說《Kaas》、英國譯者保羅．文森（Paul Vincent）的英譯本《Cheese》以及台灣譯者楊曉芬的中譯本《起司》。本文特別著重於分析文體的使用，利用關聯理論（relevance theory）分析文森和楊曉芬的譯本，同時利用語言學和文體分析來確認艾斯霍特的寫作風格如何帶到譯本，以及英文和中文譯本是否能夠準確地描繪艾斯霍特的原意。經過分析，結果顯示文森的翻譯大體上能夠接近艾斯霍特的原始寫作風格，在一些案例中卻失去原作中

的多語言要素，從而導致楊曉芬的翻譯也失去了這些方面的內容。此外，由於楊曉芬的翻譯更加以中文讀者為導向，造成典故無法翻出，以及與原作相比更隨性的寫作風格，對艾斯霍特悲喜故事的表達方式失去許多悲劇性的面向。