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Mastering With Ozone 8

為了解決Audio mastering的問題，作者Cook, Frank D./ McLaughlin, Sean 這樣論述：

Mastering with Ozone 8 covers the process of mastering finished songs using iZotope's preeminent Ozone software package. Designed to support instructor-led training and independent learning, this course book covers all aspects of working with Ozone 8 Advanced. In the course, students will learn to u

se Ozone as a standalone application or as a plug-in on the master bus of their DAW of choice. The book covers all of the controls available in the Project window and in the Ozone plug-in. The included hands-on exercises will help students develop their skills applying the techniques discussed in ea

ch chapter while improving their listening skills. Topics of discussion include working with the Ozone software interface, setting Ozone preferences through the Options window, using the Master Assistant, applying equalization to shape audio and isolate problem areas, using dynamics processing to co

ntrol the dynamic range of a song, using imaging techniques to adjust the stereo width of a mix; applying harmonic distortion to add warmth and glue to a mix, using the Maximizer to set an appropriate overall loudness level, comparing a project to one or more reference tracks, adding dither, preview

ing different codecs, and exporting the finished audio from the standalone application.

Audio mastering進入發燒排行的影片

尤景文專輯《遊境》吉他演奏技法及編曲之創作

為了解決Audio mastering的問題，作者尤景文 這樣論述：

在60、70年代搖滾樂盛行時，談到搖滾樂大家第一個聯想到的就是吉他，這就是吉他在搖滾樂盛行時所創造出來的價值。全世界有很多搖滾樂團，吉他手紅的程度不亞於團長或是主唱，這表示吉他手在搖滾樂團裡所佔的份量是非常重。而在國外很多吉他手隸屬於樂團，並又出自己的演奏專輯已有非常多成功的例子，樂手出版演奏專輯不僅可以提升演奏技術跟創意，進而拓展演奏市場，帶動流行音樂在國際上更有競爭力。研究者擅長的曲風是藍調搖滾，也於2012年發行過一張吉他演奏專輯《Inside of my guitar》華納唱片發行，經不斷的練習與創作以及在臺師大兩年之所學，目前已創作完成第二張吉他演奏專輯《遊境》，透過這張吉他演奏專

輯來探討並分析創作編曲方式及演奏技巧，讓吉他演奏在流行音樂領域的重要性得以於學術、實務提供新突破，並邀請3位線上音樂工作者做專家訪談，分析國內外音樂產業歷史與現況，據此彰顯出研究貢獻。

China Ready!: Chinese for Hospitality and Tourism

為了解決Audio mastering的問題，作者Xiang, Catherine Hua,Wang, Xuan Lorna 這樣論述：

Catherine Hua Xiang (项骅) is the East Asian Language Coordinator at The London School of Economics and Political Science (伦敦政经经济学院). She is also Programme Director of BSc International Relations and Chinese and UK Director of LSE Confucius Institute for Business London. As an experienced academic lea

der and applied linguist in Higher Education, Catherine is skilled in Intercultural Communication, Translation, Foreign Languages, Lecturing, TV and Public Speaking. Her previous publications include ’Mastering Chinese - a Complete Course for Beginners’, ’Cases on Audio-visual Media in Language Educ

ation’ and ’Teaching and Learning Chinese in Higher Education-Theoretical and Practical Issues’. Originally from Shanghai, Catherine has been living and working in the UK for 20 years. Xuan Lorna Wang (王暄) is the Director of MSc International Hotel Management at the University of Surrey(萨里大学), where

she also leads Executive Course on Hotel Investment and Asset Management and supervises Doctoral students. She earned her PhD at Oxford Brookes University and holds Visiting Professorship at University of Angers, France. Lorna is a Senior Fellow of Higher Education Academy and Fellow of Hospitality

Professional Association. She serves on the editorial boards of leading international journals such as: International Journal of Contemporary Hospitality Management; Journal of Hospitality and Tourism Research; Journal of Revenue and Pricing Management and the Service Industries Journal.

現代臺灣選舉音樂歌曲內容及趨勢研究（1994-2020）

為了解決Audio mastering的問題，作者陳冠綸 這樣論述：

1994年，陳水扁使用路寒袖及詹宏達創作的〈春天的花蕊〉作為當時參選臺北市市長選舉歌曲，自那往後，原創選舉歌曲蓬勃發展，無論是縣市首長或總統選舉，候選人多會委由專業音樂人製作專屬的選舉歌曲，作為選戰宣傳工具之一。2016年，民主進步黨（以下簡稱民進黨）首次以歌曲徵選的方式，吸引許多獨立樂團、歌手投件，並共同完成了原創選舉專輯《亮點》。2018年縣市首長選舉，臺北市長候選人丁守中及柯文哲，以當時在年輕族群裡受歡迎的嘻哈曲風，分別製作了〈臺北的未來在手中〉和〈Do Things Right〉，引起廣大討論聲量，選舉歌曲的曲風更添多元。2020年總統大選，中國國民黨（以下簡稱國民黨）及民進黨皆請來

獨立樂團創作選舉歌曲〈耀眼新藍天〉和〈自信勇敢咱的名〉，選舉音樂有「獨立音樂化」趨勢。顯然不到30年的時間，選舉歌曲在創作方式及曲風內容上已經產生巨大的變化，體現政黨對於選舉歌曲的看重，而音樂做為文化傳播的媒介之一，選舉歌曲的未來走向更是值得探討。本文將爬梳1994年至今的重點臺灣選舉歌曲，分析其「製作面」及「內容面」，並以2020總統大選選舉歌曲作為研究終點，亦以深度訪談了解政治歌曲製作過程與理念，藉此研究臺灣選舉音樂的當前現象、探討未來趨勢。