Feat meaning的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列線上看、影評和彩蛋懶人包

The Porpoise

為了解決Feat meaning的問題，作者Haddon, Mark 這樣論述：

 《深夜小狗神祕習題》馬克‧海登挑戰經典的全新創作 　　菲利浦(Philippe)非常富有，然而再多財富都換不回他摯愛的妻子瑪雅(Maja)。懷有身孕的瑪雅在一場空難中死亡，但她腹中的胎兒──他們的女兒安潔莉卡(Angelica)幸運獲救，在失去母親的那一日，降生在這個世界。 　　痛失妻子的菲利浦，自此嚴密保護女兒，甚至到了近乎病態的程度。安潔莉卡宛如被囚禁在城堡中的公主，她也隱隱發覺父親以愛為名、過度親密的碰觸，並不尋常，然而除了書本中的世界，她無處可逃。安潔莉卡閱讀、栽進古老的故事裡，每當菲利浦推開她的房門，她就想像自己脫離了軀體，潛進任何一個想像的國度。 　　直到年輕的達瑞斯

到來，他發現了這個家庭的秘密，決定協助安潔莉卡離開。然而這場逃亡卻導向災難性的發展，他們被菲利浦攔阻，達瑞斯更因此身受重傷。 　　小說隨後轉向負傷離開的達瑞斯，他登上一艘名為「鼠海豚號」的船隻，開始了航行，而達瑞斯的故事，也漸漸與傳說中佩里克利斯的故事相疊合。 　　真實與虛幻的界線隨著安潔莉卡屢次遁入書中世界而模糊，她始終不確定，當達瑞斯與菲利浦爆發肢體衝突，並雙雙離開她的視線，他是否隨後被父親殺害了？安潔莉卡在腦海中編織著達瑞斯的旅程與冒險，而她自己的現實人生，也逐漸邁向出口……。 　　結合現代故事情節與古老傳說──故事的原型曾經被一再訴說，以莎士比亞的版本《泰爾親王佩里克利斯》最為知

名，佩里克利斯發現安提奧克斯國王對女兒犯下的亂倫罪行，因而被國王派人追殺，他離開家鄉，開始了精彩的旅程。然而被留在原處的、受害的公主，她的人生又發生了什麼事？海登透過現代與遙遠過去、真實與虛幻交錯的架構，訴說了一個富含深度和重量的故事。 (文/博客來編譯) From the Whitbread and Los Angeles Times Prize-winning author of The Curious Incident of the Dog in the Night-Time, a stunningly ambitious, fantastical novel about the the

ft of female agency by rapacious men and the ways in which archetypal stories can warp history and the present Mark Haddon's breathtaking novel begins with a harrowing plane crash: Maja, the pregnant wife of the unimaginably wealthy Philippe, is killed, but their daughter Angelica survives. Philip

pe's obsession with the girl's safety morphs into something sinister and grotesque as she grows into a beautiful teen. A young man named Darius, visiting Philippe with a business proposition, encounters Angelica and intuits their secret -- he decides to rescue her, but the attempt goes awry and he f

lees England by sea. This contemporary story mirrors the ancient legend of Antiochus, whose love for the daughter of his dead wife was discovered by the adventurer Appolinus of Tyre. The tale appeared in many forms through the ages; Apollinus becoming the swashbuckling Pericles in Shakespeare's ep

onymous play. In The Porpoise, as Angelique comes to terms with a life imprisoned on her father's estate, Darius morphs into Pericles, voyaging through a mythic world. In a bravura feat of storytelling, Haddon recounts his many exploits in thrilling fashion, mining the meaning of the old legends whi

le creating parallels with the monstrous modern world Angelica inhabits. The language is rich and gorgeous; the conjured worlds are perfectly imagined; the plot moves forward at a ferocious pace. But as much as Haddon plays with myth and meaning, his themes speak deeply to the current moment. As p

rofound as it is entertaining, The Porpoise is a major literary achievement by an author whose myriad talents are on full, vivid display.

Feat meaning進入發燒排行的影片

由歐姬芙的花朵談藝術─以溫麗芳創作自述

為了解決Feat meaning的問題，作者溫麗芳 這樣論述：

本論文以歐姬芙和筆者的作品作為研究對象，分析歐姬芙作品中的花的圖像意涵，以及她如何成為該時代的女性主義精神，甚至追溯筆者的作品內容及意義。筆者為什麼要選歐姬芙作探討?因為歐姬芙是美國的國民畫家之一，她一生都在從事繪畫工作，以至於後來成為專職畫家。歐姬芙對花的放大技法更是獨創。歐姬芙十三歲就立志當畫家，一直活到世紀末；歐姬芙堅定不移往藝術道路前進，其精神令人佩服。筆者的創作主題概念是探索歐姬芙作品並作為創作的參考，筆者的作品包含色鉛筆和油彩，在本創作論文內的作品有二十三幅，各式的題材都有，包含災難、英雄救美和火災都在筆者作品創作範圍裡面。筆者所繪的作品，有大多部分是受到歐姬芙的畫影響；此外，歐

姬芙的繪畫內涵是寫實中不忘抽象，抽象中不忘寫實，這也給筆者很大的藝術啟發，因此筆者有部分創作是採取這個創作概念。歐姬芙對筆者的影響不僅止於繪畫，包含她對孤獨的體驗、對藝術的堅持、對當代的影響及對環境的順從及努力「活在當下」，雖然筆者年齡半百之軀，來念東華大學藝術與設計學系，雖然有些累，但筆者仍覺得「學習是一種有意義的正向思考」，這也是筆者學習效法歐姬芙的地方。歐姬芙的繪畫對筆者影響而言，是抒發情懷的方式和人格方面堅毅不拔；同時，也是內在傷痛治療的最佳出口。

The Porpoise

為了解決Feat meaning的問題，作者Mark Haddon 這樣論述：

《深夜小狗神祕習題》馬克‧海登挑戰經典的全新創作 　　菲利浦(Philippe)非常富有，然而再多財富都換不回他摯愛的妻子瑪雅(Maja)。懷有身孕的瑪雅在一場空難中死亡，但她腹中的胎兒──他們的女兒安潔莉卡(Angelica)幸運獲救，在失去母親的那一日，降生在這個世界。 　　痛失妻子的菲利浦，自此嚴密保護女兒，甚至到了近乎病態的程度。安潔莉卡宛如被囚禁在城堡中的公主，她也隱隱發覺父親以愛為名、過度親密的碰觸，並不尋常，然而除了書本中的世界，她無處可逃。安潔莉卡閱讀、栽進古老的故事裡，每當菲利浦推開她的房門，她就想像自己脫離了軀體，潛進任何一個想像的國度。 　　直到年輕的達瑞斯到來，他

發現了這個家庭的秘密，決定協助安潔莉卡離開。然而這場逃亡卻導向災難性的發展，他們被菲利浦攔阻，達瑞斯更因此身受重傷。 　　小說隨後轉向負傷離開的達瑞斯，他登上一艘名為「鼠海豚號」的船隻，開始了航行，而達瑞斯的故事，也漸漸與傳說中佩里克利斯的故事相疊合。 　　真實與虛幻的界線隨著安潔莉卡屢次遁入書中世界而模糊，她始終不確定，當達瑞斯與菲利浦爆發肢體衝突，並雙雙離開她的視線，他是否隨後被父親殺害了？安潔莉卡在腦海中編織著達瑞斯的旅程與冒險，而她自己的現實人生，也逐漸邁向出口……。 　　結合現代故事情節與古老傳說──故事的原型曾經被一再訴說，以莎士比亞的版本《泰爾親王佩里克利斯》最為知名，佩里

克利斯發現安提奧克斯國王對女兒犯下的亂倫罪行，因而被國王派人追殺，他離開家鄉，開始了精彩的旅程。然而被留在原處的、受害的公主，她的人生又發生了什麼事？海登透過現代與遙遠過去、真實與虛幻交錯的架構，訴說了一個富含深度和重量的故事。 (文/博客來編譯) 　　From the Whitbread and Los Angeles Times Prize-winning author of The Curious Incident of the Dog in the Night-Time, a stunningly ambitious, fantastical novel about the thef

t of female agency by rapacious men and the ways in which archetypal stories can warp history and the present 　　Mark Haddon's breathtaking novel begins with a harrowing plane crash: Maja, the pregnant wife of the unimaginably wealthy Philippe, is killed, but their daughter Angelica survives. Philip

pe's obsession with the girl's safety morphs into something sinister and grotesque as she grows into a beautiful teen. A young man named Darius, visiting Philippe with a business proposition, encounters Angelica and intuits their secret -- he decides to rescue her, but the attempt goes awry and he f

lees England by sea. 　　This contemporary story mirrors the ancient legend of Antiochus, whose love for the daughter of his dead wife was discovered by the adventurer Appolinus of Tyre. The tale appeared in many forms through the ages; Apollinus becoming the swashbuckling Pericles in Shakespeare's e

ponymous play. In The Porpoise, as Angelique comes to terms with a life imprisoned on her father's estate, Darius morphs into Pericles, voyaging through a mythic world. In a bravura feat of storytelling, Haddon recounts his many exploits in thrilling fashion, mining the meaning of the old legends wh

ile creating parallels with the monstrous modern world Angelica inhabits. The language is rich and gorgeous; the conjured worlds are perfectly imagined; the plot moves forward at a ferocious pace. 　　But as much as Haddon plays with myth and meaning, his themes speak deeply to the current moment. As

profound as it is entertaining, The Porpoise is a major literary achievement by an author whose myriad talents are on full, vivid display. 　　Review 　　"Staggeringly ambitious, innovative, beautifully written. . .The Porpoise has the pace of a really good thriller, combined with a subtlety and dept

h that few thrillers possess." --Pat Barker, author of The Silence of the Girls and the Booker Prize-winning The Ghost Road 　　"A full-throttle blast of storytelling mastery. Ancient and modern overlap in exhilarating ways, it's like romping through a literary Netflix: an episode of something histor

ical and bloody, then something slick and contemporary, then something really weird and unnerving. . .The Porpoise is a joy to read.--Max Porter, author of the International Dylan Thomas Prize-winning Grief is the Thing With Feathers 　　"Mark Haddon cuts down to the grittiness of humanity every time

he writes. The Porpoise is a beautiful, unputdownable, ancient tangle with its own sweeping tides and dangerous depths." --Daisy Johnson, author of the Booker Prize finalist Everything Under 　　"An artfully crafted story of layered lives. . .Haddon’s ambitious tale captures the ethos of tragic Shak

espearean vibrations and the tangle of lives that magically intersect. The prose is exquisite and elevates this story that blends reality and mythology to great effect."--Publishers Weekly 作者簡介 　　MARK HADDON is the author of the bestselling novels The Red House, and A Spot of Bother and the stor

y collection The Pier Falls. His novel The Curious Incident of the Dog in the Night-Time won the Whitbread Book of the Year Award, and the Los Angeles Times Book Prize for First Fiction and is the basis for the Tony Award winning play. He is the author of a collection of poetry, The Talking Horse an

d the Sad Girl and the Village Under the Sea and has won awards for both his radio dramas and his television screenplays. His play, Polar Bears, was produced by the Donmar Warehouse in 2010. He lives in Oxford, England.

批判式記憶白色恐怖:《綠島》與《返校》對於正義與創傷的再政治化

為了解決Feat meaning的問題，作者吳崇宇 這樣論述：

本論文藉由分析《綠島》及《返校》，探討作家楊小娜(Shawna Yang Ryan)與導演徐漢強(Han-chiang Hsu)如何透過小說及電影，提供讀者觀眾另類的途徑去面對創傷及建構正義的概念，並進而促成對於白色恐怖的批判式記憶。第一章首先爬梳現存對於二二八事件、白色恐怖及轉型正義的研究。而後，我援引米山麗莎(Lisa Yoneyama)提出的「九零後跨國補償文化」(post-1990s transborder redress culture)及「正義的再政治化」(re-politicization of justice)等理論架構。我主張將臺灣的二二八事件及白色恐怖置於米山麗莎的理論框

架中重新檢視。第二章及第三章以前述理論概念對《綠島》與《返校》分別進行文本分析，探討兩個文本如何建構出另類的跳脫加害者/受害者二元對立結構的正義概念。此外，我援用拉卡柏(Dominick LaCapra)兩種面對創傷的策略: 行動化(acting out)及透工(working through)，分析《綠島》與《返校》中角色的創傷經驗。我主張，兩個文本藉由呈現角色透工(working through)創傷的過程，向讀者觀眾強調了歷史創傷的未來指向。第四章為結論，反思現今臺灣關於轉型正義執行及民主發展的議題，希冀藉此促使讀者(尤其是年輕世代)重新檢視自身與歷史創傷的關聯，並思考當代臺灣社會的正義

及民主意涵。