Industrial music的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列線上看、影評和彩蛋懶人包

Black Sun, Lunar Dreams: The Music of Coil

為了解決Industrial music的問題，作者Goddard, Michael 這樣論述：

This book presents the musical evolution of Coil, not merely as a passage between a range of musical styles from industrial to acid house, drone, glitch, and ambient but also as a spiraling vortex in and through which many of the key cultural events of the late 20th Century were mobilized and tra

nsformed. Coil traversed cultural experiences from the AIDS crisis of the 1980s to the late 1980s’ new summer of love of acid house, to the revitalization of post-punk/industrial bands in the 2000s. These phenomena were transfigured in Coil’s musical practices, generating a decentred perspective on

late 20th-century cultural history that remained throughout a genuinely alternative and eccentric one. In this way Coil’s highly consistent aesthetics, despite shifting musical styles, technologies and collaborators, can be seen as ’heretical’ in relation to popular culture since heresy implies such

processes of decentring established and conventional cultural forms. To engage with Coil is therefore to engage with an eccentric perception and transformation of contemporary realities, ＂a hidden reverse＂ to use David Keenan’s description of Coil and related groups, that is the dark psychedelic fl

ipside of contemporary realities, once they have been transformed by Coil’s singular aesthetics.

Industrial music進入發燒排行的影片

中國大陸視頻二次創作社群的數位禮物文化

為了解決Industrial music的問題，作者陳昕妤 這樣論述：

剪刀手社群，是一群熱衷於對原始媒體影音素材進行二次創作、重新闡釋的同人視頻創作者所組成的社群。同人視頻創作者並非是個人化的行動者，同人視頻作品是深度合作和社群廣泛支持下的產物。中國大陸的剪刀手們共享互助，將自己個人勞動所得的媒體素材作為公共資源公開分享在社群平台上，免費供其它創作者使用，也將自己所學技能與知識向其它同儕傾囊相授。本研究以禮物經濟的視角，以同人視頻創作者社群為觀察對象，採用網路民族志與深度訪談法，探究剪刀手們進行禮物交換的特點、動機，分析剪刀手如何在禮物交換中，形塑、維繫、想像、認同自己的社群？如何定義虛擬社群集體對個體而言的意義和價值？以探討這一新興且獨特的數位禮物文化的特殊

之處。從禮物交換的內容來看，剪刀手們所饋贈的禮物與自我的各個方面息息相關，凝結了個人媒體經驗和閱歷，同時，這些「禮物」具有符號意義上的「排他性」，離開剪刀手背景之外往往沒有使用價值。從禮物交換的動機來看，利他主義傾向、擴大社交範圍結識同好、提高在社群內的聲望的地位、對自我身份認同與集體共同利益的追求，推動著剪刀手們持續不斷地收受往來禮物。一方面，這種數位禮物文化將剪刀手社群形塑為一個獨特的非正式「虛擬教室」，剪刀手們在交流中互相學習，互為導師，也互為學生；另一方面，數位禮物文化的長期記憶性，將剪刀手們所交換的資源、訊息長久地儲存在網路上，可供同儕們自由地搜索、領取、使用，並在久而久之的素材分享

、知識共用、訊息積累下，成為一個剪刀手們以集體智慧共同塑造的「知識寶庫」與「聚寶盆」。剪刀手們使用他人製作、分享的素材，將之融入成為自己視頻作品中的一部分，可以定性成一種廣義的合作、協作。剪刀手社群的禮物文化將本作為個體勞動者的剪刀手凝聚成有著共同倫理規範和集體利益的共同體，將本可以依靠個體勞動的同人創作，演變成集眾所長的集體創作方式，在創作中揚長避短、取長補短，群策群力幫助其它創作者改進作品。剪刀手社群集體力量已然融入了每一位個體的創作勞動之中，禮物文化將分散在網路各處的剪刀手們緊緊地凝聚在一起，社群成為剪刀手個體們不可或缺的依靠。

The Velvet Underground: What Goes on

A PHP Error was encountered

Severity: Warning

Message: file_put_contents(/var/www/html/prints/public/images/books_new/F01/626/64/F016264512.jpg): failed to open stream: Permission denied

Filename: helpers/global_helper.php

Line Number: 140

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 140
Function: file_put_contents

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

A PHP Error was encountered

Severity: Warning

Message: getimagesize(/var/www/html/prints/public/images/books_new/F01/626/64/F016264512.jpg): failed to open stream: No such file or directory

Filename: helpers/global_helper.php

Line Number: 62

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 62
Function: getimagesize

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 142
Function: coverWebp

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

A PHP Error was encountered

Severity: Notice

Message: Trying to access array offset on value of type bool

Filename: helpers/global_helper.php

Line Number: 64

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 64
Function: _error_handler

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 142
Function: coverWebp

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

A PHP Error was encountered

Severity: Notice

Message: Trying to access array offset on value of type bool

Filename: helpers/global_helper.php

Line Number: 66

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 66
Function: _error_handler

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 142
Function: coverWebp

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

A PHP Error was encountered

Severity: Notice

Message: Trying to access array offset on value of type bool

Filename: helpers/global_helper.php

Line Number: 68

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 68
Function: _error_handler

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 142
Function: coverWebp

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

為了解決Industrial music的問題，作者 這樣論述：

David Pattie is Professor of Drama at the University of Chester, UK. He is the author of Rock Music in Performance (2007) and the co-editor (with Sean Albiez) of Kraftwerk: Music Non-Stop (2012) and Brian Eno: Oblique Music (Bloomsbury, 2016). He has published extensively on popular music, contempor

ary theatre and performance, Samuel Beckett, Scottish theatre and society, and popular culture.Sean Albiez is Visiting Research Fellow at London South Bank University, UK. He co-edited Kraftwerk: Music Non-Stop (2012) and Brian Eno: Oblique Music (Bloomsbury, 2016) with David Pattie, and has publish

ed studies on Krautrock; John Lydon and PiL; French electronic music; Madonna; punk and post-punk; Techno and Detroit; and the Sex Pistols in Manchester. He was a member of the industrial-electro-EBM band WMTID in the 1980s, and produces electronic music as obe: lus.

實況斗內（Donate）：以心理所有權、擬社會人際互動與感知互動性探索網路直播觀眾之消費行為

為了解決Industrial music的問題，作者陳建瑋 這樣論述：

近年來隨著通訊技術的普及與發展，網路直播作為一種新型媒體娛樂互動形式，在全球範圍內發展迅猛，衍伸了許多商業模式，其中贊助(Donate)所帶來的經濟效益尤其龐大，在這裡指的是觀眾透過購買直播平台虛擬點數、禮物贈送給主播的行為，而先前關於贊助的研究多旨在解釋慈善捐贈，較少針對觀看者在直播中所感知到的心理體驗來對消費行為的相關研究。目前對於觀看者在頻道中的消費動機仍然所知有限，本研究根據以心理所有權、擬社會人際互動與感知互動性等理論來探討觀看者的消費行為。本研究主要探討於直播環境中，觀眾在頻道中所產生的心理所有權以及擬社會人際互動是否影響消費意圖，其次本研究探討感知互動性與自我投資等因素是否會使

觀眾產生心理所有權以及擬社會人際互動進而影響消費意圖。研究針對曾接觸過實況的觀眾進行線上問卷發放，並經由問卷設計請受測者填答問卷前，帶入自己最喜歡以及最常觀看甚至消費過的直播頻道以確保準確性，問卷於社群論壇平台(巴哈姆特、Dcard)進行發放，總共回收400份有效問卷，使用 SmartPLS3.0 程式進行信效度分析與路徑分析。經過研究結果發現：（1）心理所有權與擬社會人際互動皆對消費意圖有較為顯著的影響，而擬社會人際互動的影響較大。推測由於直播環境會使大部分觀眾對主播及其他觀看者產生片面情感，進而覺得正在跟”真正”的朋友交流，這種感覺對於消費意圖之影響甚至大過對頻道的擁有感。（2）直播環境下

觀眾的感知互動性，其中感知交流性、感知響應性對於擬社會人際互動都有顯著的影響，但皆對於心理所有權無顯著影響。（3）感知互動性中的感知可控性對於心理所有權有顯著影響，但對於擬社會人際互動無顯著影響。（4）自我投資對於心理所有權與擬社會人際互動皆產生非常顯著的影響。