Last Dance meaning的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列線上看、影評和彩蛋懶人包

Sunday Sparrows (Simplified Chinese and English) 星期天的麻雀

為了解決Last Dance meaning的問題，作者SongLin宋琳 這樣論述：

　　The JINTIAN [今天] series of contemporary literature features new and innovative writing from mainland China and abroad. Titles in the series are edited by Bei Dao, Lydia H. Liu, and Christopher Mattison. 　　A collaborative venture between Zephyr Press, the Jintian Literary Foundation, and

The Chinese University Press, each bilingual title highlights the ever-changing literary culture of China while simultaneously expanding the English language with a wave of new voices in translation. 　　“Jami Proctor Xu’s exceptional translation of Song Lin’s lyric landscapes magically captures the

poet’s original mind, offering readers an authentic experience of one of our generation’s great writers. A book to savor.”―Ari Larissa Heinrich, translator of Qiu Miaojin’s Last Words from Montmartre (NYRB, 2014) 　　“Translation as poetry. That is the excellent way Jami Proctor Xu presents poetry b

y Song Lin. The impact of warm breath on my skin is an imprint forever. One will never forget it or erase it. Word as touch. Quivers as memory does. Meaning as forever. And forever will never wait since it is always with us. Song Lin’s poetry flows from subterranean regions of the poet’s awareness a

s well as from his subconscious. Poetry verbal and lyrical sing and ring as ethereal and material voice. Laughter and chuckles, and smiles, utter sadness and quiet reflection, and serene observation coexist with empathy. Poetry is awe, and it is wonder.”―Simon J. Ortiz  

Last Dance meaning進入發燒排行的影片

諮商督導者經驗平行歷程之歷程性研究

為了解決Last Dance meaning的問題，作者許玫倩 這樣論述：

本研究旨在了解諮商督導者經驗平行歷程的經驗，借以理解諮商督導者知覺平行歷程之脈絡，以及督導者有無意識與辨悉平行歷程，並從督導者有意識和辨悉平行歷程的經驗文本中，找出督導者決定介入平行歷程的內在意圖與行動，進而發現後續影響的價值。 基於上述目的，本研究採用現象學取向之質性研究法，以立意取樣的方式，邀請八位諮商督導者，以半結構的訪談大綱進行個別深度訪談，共計蒐集有16組督導三人關係之平行歷程經驗，並依據現象學資料分析步驟進行分析與統整。 研究結果發現：1. 督導者知覺平行歷程之當下事件與脈絡：（1）督導者起初在面對平行歷程現象時，最先感受到的是諮商情境與督導情境中的騷

動；（2）騷動之情緒張力來自於諮商關係、督導關係、督導三人關係，或甚至是整個系統的彼此誘發；（3）情緒張力若持續，將使諮商與督導工作陷入膠著、難以發揮功能；（4）若督導者可以探尋工作膠著的源頭，將開啟對騷動的理解與平行歷程的意識；反之，倘若督導者未能對督導三人關係動力有更多的覺察，將維持著原有無效的督導介入，陷入督導困境。2. 督導者對平行歷程的意識與辨悉歷程：（1）因未有覺察，而維持原有無效的督導介入；（2）督導者穩定自我情緒、反思自我的移情與反移情，有利尋求不同改變的思維與行動，開啟對平行歷程的意識；（3）覺察受督者與督導者本身的非典型和不一致行為，能探尋到諮商關係與督導關系的相似性，進而

辨悉平行歷程現象。3. 督導者介入平行歷程的考量與介入歷程：（1）先進行自我情緒調節，以安頓自我；（2）聚焦了解和評估受督者的狀態，並促進受督者覺察；（3）聚焦督導關係的介入，以進行督導工作的澄清和討論；（4）針對諮商工作陷入困境的受督者，督導者會聚焦個案狀態和諮商關係的討論；（5）提供諮商策略，輔助受督者進行諮商介入；（6）在督導時除關照動力關係的微觀視框之外，增加系統間的宏觀視角；（7）最後，督導者也會將諮商介入的自主權交予受督者，尊重受督者的判斷和獨立性。4. 諮商督導者介入平行歷程的後續影響意義：（1）督導者介入平行歷程後，督導工作僵局得以解套，且透過督導的示範作用，協助受督者得以鬆動

諮商工作；（2）督導者有機會轉向省思個人的成長歷程，更加看到自己的專業責任，更願持續投入督導工作；（3）影響受督者當下的諮商工作和諮商關係，更讓受督者擁有自我督導的能力，使其能運用在未來。上述結果帶來的是一連串的改變，也發揮滾動式的相互性正向影響；（4）在另一方面，督導者未能及時意識和辨悉平行歷程者，雖使諮商與督導工作持續陷入膠著，但在重新探究後，亦能促使督導者省思，並願將平行歷程動力做為未來工作的評估參照。 文末，研究者提出建議與研究限制，提供諮商督導實務工作，以及未來研究之參考。關鍵詞：平行歷程、諮商督導者、督導三人關係

Digitalizing the Global Text：Philosophy, Literature, and Culture

為了解決Last Dance meaning的問題，作者PaulAllenMiller,AlexanderBeecroft,BennettYu-HsiangFu,NicolasVazs 這樣論述：

　　A few years ago globalism seemed to be both a known and inexorable phenomenon. With the end of the Cold War, the opening of the Chinese economy, and the ascendancy of digital technology, the prospect of a unified flow of goods and services and of people and ideas seemed unstoppable. Yes,

there were pockets of resistance and reaction, but these, we were told, would be swept away in a relentless tide of free markets and global integration that would bring Hollywood, digital fi nance, and fast food to all. 　　Nonetheless, we have begun to experience the backlash against a global world

founded on digital fungibility, and the perils of appeals to nationalism, identity, and authenticity have become only too apparent. The anxieties and resentments produced by this new world order among those left behind are oft en manifested in assertions of xenophobia and particularity. The “other”

is coming to take what is ours, and we must defend ourselves! 　　Digitalizing the Global Text is a collection of essays by an international group of scholars that situate themselves squarely at this nexus of forces. Together they examine how literature, culture, and philosophy in the global and dig

ital age both enable the creation of these simultaneously utopian and dystopian worlds and offer resistance to them. 好評推薦 　　“Digitalizing the Global Text is a vibrant volume that explores the paradoxes of the local, the global, and the universal, with particular emphasis on the digital humanities.

This wonderful collection of essays from an accomplished global group of contributors will be of wide interest to humanities scholars.”--- Jeffrey R. Di Leo, University of Houston–Victoria 　　“Traversing historical periods and national boun d aries, with topics ranging from Plato to ‘Gang nam Style

,’ the essays in Digitalizing the Global Text represent a vast array of perspectives while resisting the tendency to fetishize or hype the global. This collection represents a major contribution to the study of world literatures and cultures.”--- ROBERT T. TALLY JR., Texas State University 　　“Digit

alizing the Global Text is a splendid contribution to the ongoing work of challenging globalism. Refusing to settle for its dominant neoliberal form, marked by the digitization of knowledge and homogenization of cultural production, this volume pursues alternative forms of life—recalcitrant ones—tha

t do not sacrifice the singularities of the local in their illustration and enactment of the global.”--- ZAHI ZALLOUA, Whitman College 　　“Digitalizing the Global Text stages a crucial intervention into discussions and debates around globalization and digitalization. How can we begin to imagine anew

a globalization and a digital sphere that do not merely translate into capitalist profiteering? This is the crucial question at once asked and answered by this collection.”--- CHRISTOPHER BREU, author of Insistence of the Material 　　“This is a timely and forthright collection on what happens to th

e cultural within forms of globalization and globality. Essays address not just the impact of popular culture but also attempt to understand how thinking itself is recalibrated between the shifting scales of local and global. A template for global cultural critique.”--- PETER HITCHCOCK, Baruch Colle

ge, City University of New York  

究竟涅槃 — 魏朱淑薇書法《心經》創作論述

為了解決Last Dance meaning的問題，作者魏朱淑薇 這樣論述：

書法是中華文化的瑰寶，散發著無窮的藝術魅力，在傳統的美術品類裡，實有著很重要的位置。書法源自文字，隨著文明進展由實用功能轉進藝術情趣。在形式與內容高度統一之中，書者以一管之筆，表現出宇宙觀、人生觀、生命哲學，這在世界的藝術殿堂裡具有相當的特殊性，它具體呈顯了漢文化的美學特質，也表現了無盡的心象世界。所以漢字書法被形容為「無言的詩，無行的舞，無圖的畫，無聲的樂」。 書法是藝術的哲學，更具有豐富的美學思想。歷代書法名家正是以其敏銳的心，觀其形、思其理、練其技，以獨特的生命情感去駕馭筆墨，締造高妙深閎的書法藝術，創造各種不同的美感風貌，同時也開展出廣闊生動的藝術天地，許多傳世名跡至今

仍熠熠生輝，令人吟詠讚嘆。 本論文以書法《心經》為題，由形而上的理論研析至形而下實務創作，探賾索隱，然《心經》傳世名品甚多，為避免論述過於寬泛，本論文以王羲之、虞世南、歐陽詢、蘇軾、趙孟頫、文徵明、董其昌、何紹基、溥儒的書法論述、心經書蹟、書法藝術及影響等，進行系統性的探討。全文共分五章，第一章緒論，敘明研究動機與目的，研究範圍與方法，名詞定義﹕究竟涅槃、《心經》和《心經》法書。第二章為《心經》般若於美學思想之影響，內容含括《心經》內容與出處，《心經》釋經題「般若」, 和《心經》般若的美學思想及文藝哲思。第三章《心經》名家法書名作舉隅。以名家之生平事蹟與書法理論、書寫淵源、書風發展、書體

特色、創作樣貌、藝術成就帶給後世之影響，依次作出論述。第四章為筆者《心經》書法創作作品之分析與解說。第五章結論，包含研究心得回顧和後續發展前瞻。