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Mr. B: George Balanchine’’s 20th Century

為了解決Legend has it that的問題，作者Homans, Jennifer 這樣論述：

＂A fascinating read about a true genius and his unrelenting thirst for beauty in art and in life.＂--MIKHAIL BARYSHNIKOV Based on a decade of unprecedented research, the first major biography of George Balanchine, a broad-canvas portrait set against the backdrop of the tumultuous century that shap

ed the man The New York Times called ＂the Shakespeare of dancing＂--from the bestselling author of Apollo’s AngelsArguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century--The New York Times called him ＂the Shakespeare of dancing.＂

His radical approach to choreography--and life--reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine’s tumultuo

us and high-pitched life story and into the making of his extraordinary dances. Balanchine’s life intersected with some of the biggest historical events of his century. Born in Russia under the last czar, Balanchine experienced the upheavals of World War I, the Russian Revolution, exile, World War I

I, and the Cold War. A co-founder of the New York City Ballet, he pressed ballet in America to the forefront of modernism and made it a popular art. None of this was easy, and we see his loneliness and failures, his five marriages--all to dancers--and many loves. We follow his bouts of ill health an

d spiritual crises, and learn of his profound musical skills and sensibility and his immense determination to make some of the most glorious, strange, and beautiful dances ever to grace the modern stage. With full access to Balanchine’s papers and many of his dancers, Jennifer Homans, the dance crit

ic for The New Yorker and a former dancer herself, has spent more than a decade researching Balanchine’s life and times to write a vast history of the twentieth century through the lens of one of its greatest artists: the definitive biography of the man his dancers called Mr. B.

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消費性電子產品綠色擴展設計之競爭力評估模型研究

為了解決Legend has it that的問題，作者易思亮 這樣論述：

在物聯網技術快速發展的趨勢下，電子產品的生產速度和廢棄速度也因此在不斷加快。產品生產需要消耗大量的能源及相關資源，而廢棄的產品則對環境造成嚴重的污染，因此全球環境正面臨嚴重的綠色發展壓力。已有的綠色設計相關研究，主要對新產品的生產以及廢舊產品回收過程進行了探討。但因廢舊的產品存量巨大且回收效率低下，僅僅依賴回收還不足以解決大量廢棄產品對環境的破壞。本研究所建立的綠色擴展設計競爭力模型，即是一種針對舊產品設計開發相容擴展配件，進而升級新功能，延長產品生命週期的有效評估方法，達到避免廢棄現有產品，造成環境污染，也方便消費者簡單快速的升級改造家用設施。研究中首先通過搜集三款綠色擴展設計代表樣品在亞

馬遜平台的用戶評價，以及整理已有參考文獻，歸納總結了九項綠色擴展設計競爭要素。並利用本研究中已有的三款綠色擴展設計代表樣品為基礎，依據設計原則，另外設計六款虛擬綠色擴展設計樣品，組成九款綠色擴展設計樣品，通過受測者對代表樣品針對九項綠色擴展設計競爭要素的問卷評量，經由主成分分析法，歸納三項綠色擴展設計競爭力。並通過專家組的層級分析法評量，本研究對三項擴展競爭力的權重進行分析，並以諾貝爾經濟學獎得主羅伯特·盧卡斯（Robert E. Lucas, Jr.）提出的的生產函數模型，建立綠色擴展設計競爭力模型，並對綠色擴展設計競爭力的臨界值進行了分析和計算，得到了各項競爭力的臨界值。最後，本研究應用綠

色擴展設計競爭力模型進行設計評估，成功的開發了兩款綠色擴展設計的產品，不僅獲得了紅點設計獎，還取得了不錯的銷售業績，證明了該模型在面向消費者的產業應用上，具有較高的應用價值。

Montecito Style

為了解決Legend has it that的問題，作者 這樣論述：

In Montecito Style, photographer Firooz Zahedi and writer Lorie Dewhirst Porter capture the sheer beauty of the West Coast town, known for incredible homes. - Galerie MagazineThe seaside town of Montecito is often overshadowed by its neighbor Santa Barbara--which is generally how its residents li

ke it. Though home and refuge to numerous celebrities, Montecito’s intentional cultivation of a low-key profile has allowed for a unique community to emerge, and with it, a multifaceted interior and garden design culture. Montecito Style: Paradise on California’s Gold Coast is the first book to pres

ent twenty houses and landscapes in an eclectic range of styles and rich architectural legacy that coalesce into a quintessential ＂California style.＂The residences featured in this book reflect the diversity of design that has defined California living for more than a century: early standard-setters

by George Washington Smith and an Andalusian-style abode by his protégé (and Santa Barbara’s first licensed female architect) Lutah Maria Riggs, Beaux-Arts mansions, converted carriage houses, nouveau palazzi, low-slung midcentury modern abodes, an iconic concrete-and-glass house from the 1970s, an

d even a studio apartment above a garage. With houses and gardens by prominent interior and landscape designers--from the home of living legend John Saladino, and recent projects by Richard Hallberg, Daniel Cuevas, Stacy Fausset, and Lee Kirch--Montecito Style provides an inside look at this coastal

design haven.Heavily illustrated, Montecito Style features more than 250 photographs by celebrity and interiors photographer Firooz Zahedi, alongside captivating text by established design writer Lorie Dewhirst Porter, both longtime residents of the area. Zahedi’s photographs are alluring, and his

passion for these homes and gardens is palpable, as well as the design elements and art collections of these creative homeowners. An informed foreword by Marc Appleton, an architect and California architectural history expert, also helps establish the local context for these homes.Montecito is the h

idden Southern California treasure, and with Montecito Style, readers will experience peak interior inspiration and have unprecedented access to this truly special design haven in all its coastal glory.

金庸武俠小說日譯版的翻譯分析――以《射鵰英雄傳》為例

為了解決Legend has it that的問題，作者張恩維 這樣論述：

武俠小說在華語世界大眾文學中由來已久，其所創造的武俠世界不只給人們帶來了歡樂，同時也使讀者們開始思考自己所處的社會及歷史。武俠小說的一大特徵便是其中富含中華文化精華以及歷史知識，閱讀武俠小說便成為外國人認識與理解中華文化的重要管道。將武俠小說翻譯成各種語言的版本即是打造這些管道不可或缺的第一步。 金庸的武俠小說在華人社會廣受歡迎，可說是華人心中的共同記憶。而與中華地區只有一個海峽相隔的日本情況又是如何呢。一直以來，香港的電影、音樂及飲食文化等在日本大受歡迎。然而日本的金庸小說翻譯與介紹起步較晚，日本德間書店出版的日語版《書劍恩仇錄》到1996年才首次問世。可以發現影響其傳播的除了地理環境以

外似乎還有其他因素。有關金庸小說的研究可說是數不勝數，然而對於譯本的研究相對稀少，日譯版的研究更是寥寥無幾。因此筆者希望透過本研究彌補這方面的空白，了解譯本在異國文化訊息在進入一個相異的文化圈時會如何被接受與理解，以及譯者又是如何決定取捨文化訊息等分析、考察，期望能提供國內學者一個討論的基礎，同時促進中日文化交流。本研究主要採用文獻研究法分析《射鵰英雄傳》日譯版，探討的內容為小說中最有金庸特色的部分，包括中國經典、詩詞歌賦、武打情節等。將上述內容以譯者的譯文處理方法的翻譯策略分類為歸化與異化，並以奈達的功能對等理論分析其翻譯達成的效果，是否有將原文中語言的功能順利轉換到譯入語中。在遇到文化差異

太大，對方文化中缺乏相對應的概念時，譯者又是如何做出取捨，讓讀者得到怎樣的閱讀體驗？經研究發現，《射鵰英雄傳》日譯版在翻譯策略的選擇上，除了日本與中華文化的共通之處，如漢字的使用之外，依然是採用歸化策略為主。在本研究探討的文化詞中，在歸化翻譯的影響下容易出現功能不對等的情形的類別有武打情節的描寫，以及詩詞歌賦。筆者認為以上兩種類型的內容都是在文化差異影響下難以跨越的障礙。