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End Game: Does Israel Have a Plan?

為了解決Must have的問題，作者Sachs, Natan 這樣論述：

How Israelis envision and plan for the future of their countryDoes Israel have a plan? What does the country want to look like in 10 or 20 years? What borders does it hope to have? Will the West Bank or the Gaza Strip be part of it? Will the Palestinians residing the territories be granted citizensh

ip and become Israeli citizens? Does the country as a whole even know what it wants, what its goals are, or how to achieve them?Israel faces a fundamental question, a "trilemma." It can choose only two of three different goals many Israelis hold dear: to maintain control over the West Bank, with its

strategic and religious significance to Israel; to retain a clear Jewish majority, the goal of the Zionist movement that founded the state; or to remain a democracy, with full voting rights for all citizens.This trilemma has caused world leaders and publics, Israel-supporters and critics, to wonder

aloud time and again: what does Israel want? If it wishes to maintain its Jewish and democratic character, surely it must separate from the West Bank and its population; why then does Israel keep building in Israeli settlements in the West Bank, making such separation all the more difficult? And if

it plans to retain control over the West Bank, is it really willing to give up on either its Jewish nature or its democracy?End Game attempts to solve the puzzle of why the Israeli strategic vision seems so elusive to many foreigners and Israelis alike. It explores how Israelis' beliefs about their

future are formed and how their visions are translated into policy, focusing on three factors in depth: the role of security concerns, ideology, and domestic political constraints that combine to shape Israel's strategic posture.The book contrasts the full range of views in Israel over the future o

f the West Bank, from supporters of a bi-national state or confederacy on the left, to supporters of a "one state" on the far right of the political spectrum. It pays particular attention to the worldview of the political center-right, led by Prime Minister Benjamin Netanyahu, a conservative, risk-a

verse and "anti-solutionist" approach to the problem. This worldview, following decades of precedent, rejects the need for a full-fledged strategic "solution" to the problem, leading to widespread confusion over Israel's goals. The book analyses and critiques this approach, arguing forcefully for en

ding Israeli indecision over the future of the land and in favor of partition and, eventually, peace. Dr. Natan Sachs is a fellow in the Center for Middle East Policy at the Brookings Institution. His research focuses on Israel’s foreign policy, its domestic politics, and on U.S.-Israeli relations

. Before joining Brookings, Sachs was a Hewlett Fellow at Stanford’s Center on Democracy, Development and the Rule of Law, a Fulbright Fellow in Indonesia, and a Visiting Fellow at Tel Aviv University’s Dayan Center for Middle Eastern and African Studies.

Must have進入發燒排行的影片

關於沈浸自己，我說的其實是

為了解決Must have的問題，作者陳冠中 這樣論述：

此書面報告書寫從個人迷戀於「音」出發，回溯「音」愛好者的身份過渡到 以「音」作為創作思考的歷程，爬梳「音」與聲音藝術間之外的研究，進而追究 「音」作為主體之下，去聲音藝術化的「音」，如何勾勒出「音」的主體性。在 此「音」主體性的建構過程，必需同時進行解構主體性化，也就是說當「音」有 了結構性的系統，「音」也就不在是「音」了。以「音」作為書寫(創作)的對 象，本身就極為弔詭，「音」是無法明確地被定義的，當本文試圖接近「音」主體 性的過程，以及「音」作為創作的思考對象，便是「音」趨向消逝死亡的時刻， 「音」始終面對自身的抵抗性，不得不提醒筆者在整個書寫過程(創作

過程)，需 要摧毀書寫結構(作品的形式內容)。以上的文字原寫於西元二零二一年三月十八日， 改寫於西元二零二一年十一月三十日，這些文字以「先將來時」的時態預言著未來， 我在西元二零二一年九月二十三日決定摧毀書寫結構的這一個動作。「只好做壞自己」，是經過疫情之後，重新梳理自我與創作的關係，原先關於「音」 的章節書寫，只保留了「噪動史」的部分放在後記裡面。書寫主軸將重新定位在新作 上面。《代號:劇場的原始積累》因疫情取消公開展演，在無法繼續往下推動進展之 下，取而代之的是，奠基在「只要不睡覺，就會有時間了」這一句話為核心發展的作 品，保留了「無線電」聲音技術作為發展，但這個作品並不是要直接以劇場的

形式去 回應有關劇場的勞動問題，《非得要錯過些什麼》透過與表演者的共創，試圖從「活」 的身體擾動展覽的界線，製造出非在場的真實。

Missy and Mason 1: Missy Wants a Mammoth

為了解決Must have的問題，作者Vaughan, Pam 這樣論述：

First-grader Missy pushes the bounds of her imagination--and her older brother Mason’s patience--as she lays out her plan for a new pet. A must-have for fans of Charlie and Lola and Olivia or anyone crafting a case for why they need a new animal addition to the family.At the Museum of Natural His

tory, first-grader Missy has a genius gigantic idea: she wants a wooly mammoth as her new pet. She’ll name him Malcolm. They’ll take bubble baths with strawberry-banana shampoo, and go on picnics, and she’ll swing from his tusks. They’ll be best friends. Older brother, Mason, spots one mammoth-sized

problem with her plans. . . . But once Missy gets an idea in her head, nothing (not even the fact that mammoths have been extinct for ten thousand years) is going to stop her from getting her fuzzy new friend. A winning new pair for the canon of sibling stories, Missy Wants a Mammoth is sure to cha

rm in a massive way.

新媒體宣傳對品牌形象提升之個案研究

為了解決Must have的問題，作者樊仲諭 這樣論述：

隨著網際網路及資通訊技術的進步，為傳播帶來了近乎全新的變革。傳播平台和傳播途徑得以以更多元的形式及載具接收，打破了傳統媒體的限制。同時，整合行銷傳播模式的運用，使得傳播者與閱聽者之間的關係，產生了前所未有的變化。有別於傳統媒體，新媒體開創了獨特的受眾組成和訊息傳播模式，更進一步提升了準確性、使用者體驗及互動性。在這多變的情況下，企業或品牌必須重新構建一種符合新媒體特性的品牌傳播策略，以便於更貼近閱聽者的心理需求，促使閱聽者化被動為主動分享及傳播品牌訊息。本研究有鑑於上述狀況，以本土品牌「A品牌電腦」的新媒體傳播策略為個研究對象，採用個案研究法、次級資料分析法及針對相關媒體平台之操作數據進行分

析，研究該品牌在新媒體發展蓬勃的現今時代，如何以整合式行銷手法操作跨界行銷之宣傳行為，最後歸納出「A品牌電腦」在社群優化改善建議，作為日後品牌新媒體經營策略之參考。