韓劇電影你都看哪一部呢？論文書籍站
Off-Broadway shows的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列線上看、影評和彩蛋懶人包
Off-Broadway shows的問題，我們搜遍了碩博士論文和台灣出版的書籍，推薦McLane, Derek,Mell, Eila寫的 Designing Broadway: How Derek McLane and Other Acclaimed Set Designers Create the Visual World of Theatre 和Yankee, Luke的 The Art of Writing for the Theatre: An Introduction to Script Analysis, Criticism and Playwriting都 可以從中找到所需的評價。
這兩本書分別來自 和所出版 。
國立臺灣師範大學 表演藝術研究所 何康國所指導 鍾依璇的 藝穗節運作機制分析—以紐約國際藝穗節為例 （2013），提出Off-Broadway shows關鍵因素是什麼，來自於藝穗節、藝術節、運作機制。
而第二篇論文國立臺灣師範大學 表演藝術研究所 陳榮貴、梁志民所指導 王馨濂的 拉森音樂劇《吉屋出租》裡的咪咪角色分析詮釋 （2010），提出因為有 音樂劇、吉屋出租、垮掉的一代、強納生 拉森、搖滾、波希米亞人、咪咪、角色分析的重點而找出了 Off-Broadway shows的解答。
Designing Broadway: How Derek McLane and Other Acclaimed Set Designers Create the Visual World of Theatre
為了解決Off-Broadway shows 的問題，作者McLane, Derek,Mell, Eila 這樣論述：
In this richly illustrated and information-packed celebration of Broadway set design, Tony Award-winning designer Derek McLane explores the craft while reflecting on some of the greatest stage productions of the past few decades.Alongside other leading set design and theatre talents, McLane invites
us into the immersive and exhilarating experience of designing sets that have visually brought so many of our favorite stories to life. With co-writer Eila Mell, he and contributors discuss Moulin Rouge!, Hamilton, Hadestown, Beautiful, and many more of the most iconic productions of our generation.
Learn about the process from idea to opening night, the challenges and insights that inform creative choices, and more. Filled with personal sketches and photos from the artists’ archives, this book is truly the behind-the-scenes deep dive that theatre fans will love. A double gatefold inside revea
ls the Tony Award-winning set of Moulin Rouge, making this the perfect keepsake. Contributors include: John Lee Beatty, Danny Burstein, Cameron Crowe, Ethan Hawke, Moisés Kaufman, Carole King, John Leguizamo, Kenny Leon, Santo Loquasto, Kathleen Marshall, Lynn Nottage, David Rabe, Ruben Santiago-Hud
son, Wallace Shawn, Robin Wagner. Derek McLane is an Emmy and Tony Award-winning set designer for Broadway and television with more than 350 designs to his credit. Broadway productions include Moulin Rouge! and 33 Variations(Tony Awards), A Soldier’s Play (Tony nomination), American Son, How to S
ucceed in Business Without Really Tryingand Anything Goes. Derek is additionally the recipient of two Obies, two Drama Desk Awards, three Lucille Lortel Awards, and three Art Directors Guild Awards. Television credits include six years designing sets for theAcademy Awards and NBC live musicals: The
Sound of Music, Peter Pan, The Wiz, and Hairspray. He is currently chairman of the board of The New Group, an off-Broadway theatre company. For the last twenty years, Derek has also been a mentor for Theatre Development Fund’s Open Doors program, taking New York City high school students to Broadway
shows. Derek currently resides in New York with his wife, Broadway producer Lia Vollack. Eila Mell is an entertainment and fashion writer who has interviewed the likes of Donna Karan, Gbenga Akinnagbe (the Trayvon Martin Foundation), Martha Stewart, and Tommy Hilfiger. Her book credits include Proj
ect Runway: The Show That Changed Fashion and New York Fashion Week: The Designers, the Models, the Fashions of the Bryant Park Era. She has been featured on CBS’s The Insider, in the New York Times, Marie Claire, Glamour, People StyleWatch, Page Six, and in the documentary Scatter My Ashes at Bergd
orf’s.
藝穗節運作機制分析—以紐約國際藝穗節為例
為了解決Off-Broadway shows 的問題，作者鍾依璇 這樣論述：
藝穗節特色鮮明，開放的參與機制造就了多元豐富的表演型態，靈活使用空間的權力促進了藝術家與城市間的交流，多元的包容力提供了新興藝術家發聲的平臺。但對於許多新興之城市藝穗節來說，惋惜的是非主流藝術的觀眾養成困難，加上行政配合不足，造成人力資源的浪費；管理操作未善用城市特質，以致許多藝穗節的舉辦流於形式，城市無法與節慶有所互動，發揮節慶最大效益。美國紐約藝穗節今年邁入第十七年的光景，為目前北美最大的多元藝術(Multi-arts)節慶，表演內容包括戲劇、舞蹈、音樂、偶戲、小丑、面具秀、多媒體、雜耍……等表演藝術型態，樣貌萬千。紐約市本身的城市吸引力和節慶逐年的蓬勃發展，也讓紐約藝穗節成為新興藝術家
獨立創作及前衛藝術、實驗劇場等表演藝術發表的重要平臺。本文以紐約國際藝穗節為案例，解析探討其特殊的運作機制，了解藝穗節如何在複雜的劇場產業結構中找到活動的自我定位和價值，並對文化、產業產生正面的後續效應；如何以特殊的運作機制，打造一個適用於藝術大城的文化節慶活動，並以有效又具創意的活動主題概念，並以精簡的人力管理制度，壓縮成本，達到活動最大效益。透過實際參與與深度訪談，解析藝穗節與文化藝術從業者、城市、以及其他產業之互動情況，探究其如何將文化生產和市民社交融為一體，進而產生文化、藝術、經濟等無形的價值和有形的產值，予以新興城市藝穗節建置方向與參考。
The Art of Writing for the Theatre: An Introduction to Script Analysis, Criticism and Playwriting
為了解決Off-Broadway shows 的問題，作者Yankee, Luke 這樣論述：
Luke Yankee is a professional playwright, director, author and teacher. He is currently an adjunct faculty member at Chapman University, California State University, Fullerton and Golden West College, where he teaches playwriting, script analysis, theatre criticism and film history. His plays includ
e The Last Lifeboat, A Place at Forest Lawn, The Man Who Killed the Cure, The Jesus Hickey, Confessions of a Star Maker and Marilyn, Mom & Me. His memoir, Just Outside the Spotlight: Growing up with Eileen Heckart was named, ＂One of the Ten Best Celebrity Memoirs of All Time.＂ As a director and prod
ucer, he has run two regional theatres, assistant directed six Broadway shows and directed Off Broadway and at regional theaters around the country.
拉森音樂劇《吉屋出租》裡的咪咪角色分析詮釋
為了解決Off-Broadway shows 的問題，作者王馨濂 這樣論述：
音樂劇《吉屋出租》(Rent,1996年)由強納生．拉森（Jonathan Larson, 1960~1996年）改編自義大利有名的歌劇作曲家浦契尼(Giacomo Puccini,1858~1924年)的浪漫寫實歌劇《波希米亞人》(La bohème,1896年)，發生在十九世紀的浪漫巴黎拉丁區，轉換成二十世紀紐約現代城市的曼哈頓東村，劇中人物的性格演變及戲劇線條豐富曲折，顯見構思甚為細密，對追尋人性愛情刻劃出淋漓盡致的樂觀表現，鼓舞陷入悲情人們生命露出一線曙光，又加上當時社會貧窮、同志、毒品…等氾濫漫延，這些人、事、物層層堆疊，在困厄的環境下，更強化了生命價值與自我價值的重要。劇中描繪人
性的光明面，使得這齣音樂劇從1996年1月於外百老匯（off-Broadway） 首次演出時，就獲得廣大群眾的好評及社會共鳴，並在1996年4月正式登上百老匯（Broadway） 的尼德蘭劇院演出，聲名更為響亮，成為名噪一時的好劇。本詮釋報告針對劇本分析、咪咪此角色、音樂、戲劇分析加以跟歌劇與小說版本比較，並加入舞台與服裝造型探討研究，做為此論文研究內容。