Property philosophy的問題,透過圖書和論文來找解法和答案更準確安心。 我們找到下列線上看、影評和彩蛋懶人包

Property philosophy的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦Julius, A. J.寫的 Reconstruction 和Richardson, Kathleen的 Sex Robots: The End of Love都 可以從中找到所需的評價。

這兩本書分別來自 和所出版 。

逢甲大學 商學博士學位學程 賴文祥所指導 蘇旋的 廣東醫療器械企業協同創新合作夥伴選擇機制與評價體系研究 (2021),提出Property philosophy關鍵因素是什麼,來自於夥伴選擇、機制分析、評價體系、層次分析法、群組特徵根法。

而第二篇論文國立政治大學 傳播學院傳播碩士學位學程 林怡潔所指導 陳昕妤的 中國大陸視頻二次創作社群的數位禮物文化 (2021),提出因為有 同人文化、社群、虛擬社群、禮物文化、禮物經濟的重點而找出了 Property philosophy的解答。

接下來讓我們看這些論文和書籍都說些什麼吧:

除了Property philosophy,大家也想知道這些:

Reconstruction

為了解決Property philosophy的問題,作者Julius, A. J. 這樣論述:

What should a person do when she depends for her possibilities of action on the actions of other persons? Is it possible to live as one free person among others? In this groundbreaking work of moral and political philosophy, A. J. Julius argues that a person acts freely by acting for good reasons. T

o act for good reasons in the presence of other people, a person must act for reasons that she shares with them. Julius uses these ideas of free action and interpersonal rationality to explain the wrongness of coercion, the value of cooperation, the rational force of democratic law, and the imperati

ve of substituting public for private property. He proposes that we can begin to act freely, within our actual unfree society, by setting out to reconstruct it on a democratic basis.A book that will open new directions in the discussion of rationality and freedom, Reconstruction makes it plain that

the political is personal. A. J. Julius is assistant professor of philosophy at the University of California, Los Angeles.

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-The Philosophy of LOGAN – Wisecrack Edition (https://youtu.be/tHLw7ox458c)
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廣東醫療器械企業協同創新合作夥伴選擇機制與評價體系研究

為了解決Property philosophy的問題,作者蘇旋 這樣論述:

協同創新是創新資源和要素的有效匯集、深度融合的一種創新模式,對創新强化產業戰略的實施具有積極作用。在協同創新中合作夥伴選擇具有先導性和基礎性作用,直接影響協同創新的績效和目標的實現。因此,本文對醫療器械企業主導的協同創新合作夥伴選擇的基本特徵、動力來源、影響因素、評價指標、和評價模型等問題開展研究。本文以界定協同創新合作的内涵為起點,對醫療器械企業協同創新合作夥伴選擇的機制進行了分析。在此基礎上提出了廣東醫療器械企業合作夥伴選擇的評價模型。通過質性分析(群組特徵根法)優化評價指標體系,然後通過量化分析(層次分析法)來確定評價體系中各層次指標的重要程度。本研究發現廣東醫療器械企業在選擇協同創新

合作夥伴時商業理念兼容、創新能力、關係互惠是最重要的考慮因素。企業專家們特別關注合作夥伴的戰略目標匹配、掌握的專利數量、行業影響、組織文化兼容、和研發緊密程度等指標。最後,本文進一步討論了結果中專家權重的理論與實踐意義。

Sex Robots: The End of Love

為了解決Property philosophy的問題,作者Richardson, Kathleen 這樣論述:

There are more ways of connecting and communicating via technology than ever before. Yet loneliness is on the rise as we begin to experience an 'attachment crisis' in forming and maintaining intimate relationships. Enter sex robots. Built from the bodies of sex dolls, they are created to help hum

ans - particularly men - cope with our inability to connect. In this bold and trenchant critique, Kathleen Richardson explores important questions surrounding this emerging technology. What does the rise of sex robots tell us about the way that women and girls are imagined? To what extent are porn,

prostitution and child sexual exploitation driving the attachment crisis?The author argues that sex robots are produced within a framework of 'property relations' - in which egocentric Man (and his disconnection from Woman) shapes the building of robots and AI. Can this tide of destruction and disco

nnection be turned, and what would a revolution for the love of humanity look like?Presenting a passionate case for the abolition of practices that cast women as property, Sex Robots: The End of Love is essential reading for students and scholars of robot ethics, anthropology, gender studies, philos

ophy of technology, sociology and related fields, as well as anyone concerned for the future of human relationships.

中國大陸視頻二次創作社群的數位禮物文化

為了解決Property philosophy的問題,作者陳昕妤 這樣論述:

剪刀手社群,是一群熱衷於對原始媒體影音素材進行二次創作、重新闡釋的同人視頻創作者所組成的社群。同人視頻創作者並非是個人化的行動者,同人視頻作品是深度合作和社群廣泛支持下的產物。中國大陸的剪刀手們共享互助,將自己個人勞動所得的媒體素材作為公共資源公開分享在社群平台上,免費供其它創作者使用,也將自己所學技能與知識向其它同儕傾囊相授。本研究以禮物經濟的視角,以同人視頻創作者社群為觀察對象,採用網路民族志與深度訪談法,探究剪刀手們進行禮物交換的特點、動機,分析剪刀手如何在禮物交換中,形塑、維繫、想像、認同自己的社群?如何定義虛擬社群集體對個體而言的意義和價值?以探討這一新興且獨特的數位禮物文化的特殊

之處。從禮物交換的內容來看,剪刀手們所饋贈的禮物與自我的各個方面息息相關,凝結了個人媒體經驗和閱歷,同時,這些「禮物」具有符號意義上的「排他性」,離開剪刀手背景之外往往沒有使用價值。從禮物交換的動機來看,利他主義傾向、擴大社交範圍結識同好、提高在社群內的聲望的地位、對自我身份認同與集體共同利益的追求,推動著剪刀手們持續不斷地收受往來禮物。一方面,這種數位禮物文化將剪刀手社群形塑為一個獨特的非正式「虛擬教室」,剪刀手們在交流中互相學習,互為導師,也互為學生;另一方面,數位禮物文化的長期記憶性,將剪刀手們所交換的資源、訊息長久地儲存在網路上,可供同儕們自由地搜索、領取、使用,並在久而久之的素材分享

、知識共用、訊息積累下,成為一個剪刀手們以集體智慧共同塑造的「知識寶庫」與「聚寶盆」。剪刀手們使用他人製作、分享的素材,將之融入成為自己視頻作品中的一部分,可以定性成一種廣義的合作、協作。剪刀手社群的禮物文化將本作為個體勞動者的剪刀手凝聚成有著共同倫理規範和集體利益的共同體,將本可以依靠個體勞動的同人創作,演變成集眾所長的集體創作方式,在創作中揚長避短、取長補短,群策群力幫助其它創作者改進作品。剪刀手社群集體力量已然融入了每一位個體的創作勞動之中,禮物文化將分散在網路各處的剪刀手們緊緊地凝聚在一起,社群成為剪刀手個體們不可或缺的依靠。