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The Art of Rube Goldberg

為了解決Sunday Best clothing的問題，作者George, Jennifer (COM)/ Gopnik, Adam (INT)/ Baron, Andrew/ Jaffe 這樣論述：

Not many of us make it into the dictionary as an adjective. But then again, Rube Goldberg was no ordinary noun. He was a cartoonist, humorist, sculptor, author, engineer, and inventor, and in a 72-year career he wrote and illustrated nearly 50,000 cartoons. Goldberg (1883-1970) was the most famous c

artoonist of his time, best known for his comical inventions, which were syndicated in daily newspapers throughout the world. Author Jennifer George celebrates all aspects of her grandfather's career, from his very first published drawings in his high school newspaper and college yearbook to his ico

nic inventions, his comic strips and advertising work, and his later sculpture and Pulitzer Prize-winning political cartoons. Also included are essays by noted comics historians, rare photographs, letters, memorabilia, and patents, many reproduced here for the first time. Brilliantly designed and pa

ckaged to capture the inventiveness of Rube Goldberg's work, The Art of Rube Goldberg is a coffee table book the whole family can enjoy. From Merriam-Webster's DictionaryRube Gold-berg. adjective b-ˈgōl(d)-ˌbərg: accomplishing by complex means what seemingly could be done simply; also characteriz

ed by such complex means. alsoRube Gold-berg-i-an "Goldberg's cartoons touch the edge of modern art." --Adam Gopnik, from his introduction Jennifer George is the granddaughter of Rube Goldberg. She is a writer and a jewelry and clothing designer. For almost twenty years her label was carried at Be

rgdorf Goodman, Barney’s, Saks Fifth Avenue, Bloomingdales, and dozens of other specialty stores across the U.S. She lives in New York City.Adam Gopnik, staff writer for the New Yorker, is a three-time National Magazine Award winner and author of many books, including Paris to the Moon and Through t

he Children’s Gate.Andrew Baron of Popyrus Studio, Inc. came to the world of paper engineering following years as a restorer of antique phonographs, clocks, and other mechanical wonders. His books have won international awards, including the Movable Book Society’s Meggendorfer Prize.Al Jaffee is an

award-winning cartoonist and cultural icon best known for his work in MAD magazine as one of the ＂Usual Gang of Idiots.＂ He is the creator, artist, and writer of the MAD Fold-In, Tall Tales, and Snappy Answers to Stupid Questions.Carl Linich is a scholar, teacher, and performer of traditional Georgi

an polyphonic singing, and a member of Trio Kavkasia. He is also a visual artist who specializes in original cartoon art.Peter Maresca is editor and founder of Sunday Press Books, publisher of full-size reproductions of classic comic strips including Little Nemo in Slumberland, Krazy Kat, and others

.Geoff Spear shot all the photography for Batman Collected, Batman Animated, Bat-Manga!, Peanuts: The Art of Charles M. Schulz, and Mythology: The DC Comics Art of Alex Ross. His award-winning photographs have appeared regularly in Vogue, Entertainment Weekly, GQ, Newsweek, and the New York Times, a

nd on numerous book covers.Paul Tumey is a writer, designer, and comics historian. His recent work can be found in ＂The Masters of Screwball Comics＂ blog and in Framed!, his monthly column for the Comics Journal.Brian Walker has written, edited, and contributed to more than thirty-five books on cart

oon art and is the author of the definitive history, The Comics: The Complete Collection.

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宗教目的地之消費模式：旅遊態度、滿意及再訪意願

為了解決Sunday Best clothing的問題，作者張女素江 這樣論述：

　　隨著國際化和全球化的日益盛行，旅遊業引起了廣泛的關注。如何吸引遊客到訪和重遊目的地已成為最重要的問題之一，因為它是文化活動、社交互動、財政收入和交通規劃的驅動引擎。尤其是作為早期的旅遊形式之一，宗教旅遊已成為該行業成長最快的部分，而學術上的意圖最少。以往的研究傾向於從認知或理性的角度研究目的地消費現象，很少有研究將旅遊的象徵性、體驗性和功能性相結合，以促進目的地偏好，創造旅遊價值以增強重遊意願。本研究旨在開發目的地消費-顧客態度模型，結合目的地偏好和旅行滿意度的連續中介效應，用宗教參與和電子口碑（eWOM）的調節作用來解釋重遊意願。　　本研究分四個階段進行，包括文獻綜述、深度訪談、後設分

析，並以前往宗教目的地的遊客為樣本的問卷調查。研究結果顯示，目的地消費對重遊目的地的理性態度和情感態度具有積極且顯著的影響。此外，本研究證實了目的地偏好和旅遊滿意度對目的地消費和旅遊態度對重遊意願之間關係的連續中介作用。最後，本研究支持宗教參與和網路口碑對旅行滿意度對重遊意願的影響的調節作用。由於目的地消費問題仍有待進一步驗證，本研究為目的地行銷制定行銷策略提供了重要參考。本研究結果可以作為進一步實證驗證的理論基礎。

The Yoga Stripper: A Las Vegas Memoir of Sex, Drugs, and Namaste

為了解決Sunday Best clothing的問題，作者Lucent, Laila 這樣論述：

Author Laila Lucent talks about The Yoga Stripper: http: //www.youtube.com/watch?v=c6or4gU0L9kInterview with Laila Lucent on Penn Jillette's podcast, Penn's Sunday School (Of Penn and Teller)(Ep 58: In Porn You Get Two Names): http: //pennsundayschool.com/page/episodes"Healthy eating, daily yoga, a

determined mental attitude, and getting a lot of money off of wasted men on weekends is the key to success."Jobless, heartbroken, and broke, new college graduate Laila Lucent packs up her car and drives alone across the country to her new life as a Las Vegas stripper. In an empowering, intelligent,

and hilarious memoir of self-discovery, 22-year-old Laila takes us deep inside the best, most infamous, strip club in Las Vegas, the Spearmint Rhino. From living with homeless drug addicts, to practicing yoga on the beaches of Costa Rica, from threesomes with wealthy foreigners, to dancing at the be

st music festivals in the world, The Yoga Stripper is a wickedly funny reverse fairy tale where morality is flexible, money is fast, and clothing is discouraged.http: //www.theyogastripper.com/ Laila Lucent grew up in rural Ohio, took off to Brazil when she was 16 to be a high school exchange stud

ent for a year, and studied at The Ohio State University where she learned how to communicate strategically. Upon graduation, she headed to Vegas where she decided to be professionally topless and wrote the comedy memoir The Yoga Stripper. She likes the Buckeyes, beer, space, the Internet, doesn’t l

ike war, loves her family, and wants to thank people in a few weeks. Laila Lucent currently resides in LA where she is probably at the beach procrastinating right now or teaching http: //envisionyoga.com/ Namaste;-)

Beijing’s First Overseas Military Base in Djibouti and Africa’s Perceptions (2015-2020)

為了解決Sunday Best clothing的問題，作者貝克 這樣論述：

Since China established its first military base abroad, in Djibouti, has earned itself the incorrigible title of being a neo-colonialist in Africa within the contemporary landscape of international relations and strategic studies. On the other hand, China has prodigiously decried these vitriolic cr

itics as groundless. Thus, this research sits well within international affairs and strategic scholastic studies as it asserts that there is more than what meets the eye apropos the establishment of Beijing’s first overseas military base abroad in Djibouti. This assertion is premised on the employme

nt of international relations (IR) theories to the effect that the Beijing’s or China’s interests and intentions in Africa cannot be fully comprehended without examining the employment of its Grand National Strategy to accomplish its national interests and goals. A mixed-method in a quest to complem

ent various IR theories have been employed in this study taking into account the multifaceted nature and complexity of the issues under scrutiny. The Chinese strategic interests and intentions in Africa have thus been explored using the case study of the establishment of its first naval base abroad,

in Djibouti as one of the indicators of Beijing’s expanding interests and influence in Africa. Therefore, attempts have been made to riposte the raised primary question, what is China’s core interest in Africa, which the establishment of the naval base in Djibouti endeavours to protect or advance?

Consequently, the study raises three secondary questions in its endeavours to unearth the truth viz., (i) Does China have geo-economic interests in Africa that are the primary consideration for its decision to establish the naval base? (ii) Does China have global national interests that could be bes

t achieved by its decision to establish the naval base? (Mahanism) and (iii) Is China accepted in Africa? (Africa’s perceptions of China). This study infers that China’s well-documented cloud nine status in Africa is exaggerated, as some Africa Union Member States abhor China’s tyrannical political

system regardless of being fond of its economic models.