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A Considerable Achievement: The Tactical Development of the 56th (London) Division on the Western Front, 1916-1918

為了解決Tate Modern的問題，作者Brosnan, Matt 這樣論述：

Nearly a century on, the operational performance of the British Expeditionary Force (BEF) on the Western Front during the First World War is still a hotly debated subject. The dominant perception is one of a conflict characterized by mud, trenches and futility, presided over by incompetent comman

ders. But over the last thirty years a different view has emerged and gained increasing prominence. Many historians have argued that the BEF deserves more credit for the wartime learning curve it underwent in evolving from a small professional force into a mass citizen army, which helped it to end t

he war victorious. The BEF has become the subject of even more detailed research, as historians have sought to investigate all aspects of its operational practice. This book enters into this debate by taking a detailed look at a single infantry division, one of the BEF's vital constituent parts. It

focuses on the 56th (London) Division, a first-line Territorial division that served continuously on the Western Front between February 1916 and November 1918. By focusing on and comparing three key battles in the Division's service - the Battle of Gommecourt on 1 July 1916, the Battle of Arras on 9

April 1917 and the Battle of Albert on 23 August 1918 - this study provides detailed insight into 56th Division's tactical development. It suggests that by the last year of the war, 56th Division had developed sophisticated offensive tactics born out of years of hard-fought experience. This study u

tilizes a range of archival sources, including the official documents of war diaries, operational orders and battle reports. But it also references the private papers of the officers and men who served in 56th Division, gaining the insight of individuals who witnessed and took part in these events a

t first hand. The voices that emerge from these sources are a testament to the dedication of many of the men who served with the Division and who helped it to develop increasingly effective fighting methods, as was also the case with the BEF as a whole. The 56th (London) Division therefore deserves

to be remembered for its contribution to a painful, but ultimately victorious war effort. Matt Brosnan was educated at the University of Birmingham, where he studied History and English at undergraduate level and then Twentieth Century British History at postgraduate level. His postgraduate research

was on the tactical development of 56th Division on the Western Front, which has been extended to form the present study. Since 2006 he has worked at the Imperial War Museum in London, initially as a Curator in the Department of Art, which holds the largest collection of modern British art outside

the Tate. He curated displays on the Hall of Remembrance art scheme of the First World War and Neo-Romantic art of the Second World War period. He currently works as a Historian in the Research and Information Department, where he is researching forthcoming exhibitions on Frontline Medicine and also

for the centenary of the First World War. A Considerable Achievement is his first publication. He was born and lives in north London.

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以線上三級介入模式提升國中普通班教師正向行為支持知識之研究

為了解決Tate Modern的問題，作者潘淳威 這樣論述：

本研究目的為探討以線上三級介入模式提升國中普通班教師正向行為支持知識之成效以及看法。研究方法採單一受試實驗之變更情境設計，以6名國中普通班教師為研究參與者，採用三級介入模式進行線上培訓，依序以自學、團體工作坊、一對一教練方式進行，每一階段評量結果未達90%之參與者進入下一階段接受介入，介入完成後填寫回饋調查。將所蒐集之量化資料進行視覺分析，並統整參與者回饋等相關質性資料，得到以下發現。一、 以線上三級介入模式實施正向行為支持課程，有2位教師能在次級達通過標準。二、 以線上三級介入模式實施正向行為支持課程，可提升6位教師正向行為支持的知識，其中2位教師達通過標準。三、 5位教師認同以行為技能訓

練融入教材與教學有助於學習與操作，4位教師對本教材持肯定態度。四、 4位教師認同線上三級模式可提供他們在學習上不同程度的支持、能滿足其學習風格與偏好。五、 4位教師認為正向行為支持對處理學生行為問題有幫助，願意在未來使用，並有信心能預防行為問題。

London: A Modern City in Photographs

為了解決Tate Modern的問題，作者Browne, Mathew 這樣論述：

London has been transformed in the last two or three decades since the 1990s. Large areas have been rebuilt and regenerated and exciting new buildings have redrawn London’s skyline. Many of the modern high-rise buildings have quickly become iconic images of London with popular names that reflect

their bold design - the Shard, the Gherkin, the Walkie-Talkie. Alongside these new office buildings and residential developments are other landmark buildings celebrating arts, sport and entertainment, such as Tate Modern, the O2 Arena built for the Millennium celebrations and the Queen Elizabeth Oly

mpic Park. Large areas of East London and the Docklands have been redeveloped as well as more everyday buildings throughout the capital, with new and rebuilt mainline and Underground railway stations, museums, sporting venues, urban spaces and housing. In this book photographer Mathew Browne celebra

tes this new face of London in a collection of stunning images which portray not just the new buildings that characterise modern London, often cheek by jowl with an older London, but also how today’s Londoners are changing and adapting their environment, turning old structures into new uses. For all

those who are proud to live and work in London, as well as those visiting, this book is a must. Look through these photographs and you will quickly see why this ever-changing world city never ceases to fascinate.

偶發到實現 ─ 林劍青創作論述

為了解決Tate Modern的問題，作者林劍青 這樣論述：

        筆者從小時候看著父親作畫，一直到自己成長迄今，回歸對藝術的探討，感受內心對藝術的悸動。藝術的路途是一種艱辛磨練，一種自我挑戰，是一種自我肯定的過程。對於筆者而言它是生命裡的一部分，是回憶的一部分，是未來希望的一部分。         個人的藝術創作形式是經由「偶發」到「實現」。「偶發」裡面包含著「即興─不可預見性」與「異想」。這可能讓創作者意識到當代任何的藝術創作是不能被事先決定的，也就是說藝術創作是不可預見的，純粹的藝術是即興的發揮，其淵源於內心的生機，也就是「內在生命」與「內在驅力」。藝術創作是絕對的自由，筆者嘗試著通過各種的形式與色彩來作為內心異想的表達，靠著不同的藝術

形式與媒材來實現創作出具有自我精神價值的作品。         本論文第一章、緒論，包含：創作研究之背景與動機、創作研究之目的、創作研究範圍與限制；第二章、創作學理基礎與文獻討論，包含：超現實主義、抽象表現主義、啟迪與相關藝術家；第三章、創作理念，包含：創作的意義、自我解構、潛意識的回歸、意識與潛意識的作用；第四章、創作媒材使用、技法表現研究，包含：平面繪畫、版畫、其他創作媒材使用；第五章、作品解析，包含：樹與根系列、墨與痕系列、絹版的另類思維、異想構成系列。第六章、結論。         筆者透過藝術創作，發覺內心情感，探索自我，以這篇創作論述為自己在美術系研究所的啟迪與發展成果做一段總結。