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Disney Princess: Beyond the Tiara: The Stories. the Influence. the Legacy.

為了解決Us pop music的問題，作者Zemler, Emily 這樣論述：

Featuring concept art, memorabilia, and original interviews, Disney Princess: Beyond the Tiara explores the legacies of the princesses and what they represent today. Everyone knows the Disney Princess characters, but how did they become the cultural icons we know today? From the Princesses Walt

Disney and his artists brought to the screen in the twentieth century, such as Snow White and Aurora, to the recent additions such as Moana, Tiana, and Rapunzel, each Disney Princess character’s influence has expanded beyond their original film. Each of their unique, individual stories create a fab

ric with the power to inspire our imaginations, spark social conversations, and empower us.Featured Disney Princesses include: Moana Merida, Brave Rapunzel, Tangled Tiana, The Princess and the Frog Mulan Pocahontas Jasmine, Aladdin Belle Ariel, The Little Mermaid Aurora, Sleeping Beauty Cinde

rella Snow White Organized by themes of origins and inspirations, re-imaginings, toys and collectibles, fashion, music, parks, fandom, and more, Disney Princess: Beyond the Tiara features memorabilia and interviews with Disney historians, directors, voice talent, and fans. Explore the different er

as, influences, and legacies of the Princesses with Disney Legends such as Jodi Benson (voice of Ariel in The Little Mermaid and author of the book’s foreword), Lea Salonga (the singing voice behind two Princesses, Jasmine and Mulan) and composer Alan Menken. What is it that has made these character

s resonate through so many generations and cultures? How have they become a reflection of pop culture as we know it? Delve into these indelible characters and find the Disney Princess within you!

Us pop music進入發燒排行的影片

YouTuber如何影響觀看者資訊採用意願？－多元理論觀點之模型

為了解決Us pop music的問題，作者林佩儀 這樣論述：

本研究整合多元理論探討YouTuber與觀看者之間的互動關係，具體而言，以「推敲可能性模型（Elaboration Likelihood Model, ELM）」、「社會影響理論（Social Influence Model）」與「社會認同理論（Social Identity Theory, SIT）」，建構YouTuber如何影響觀看者的資訊採用決策模型。本研究採用非隨機準實驗設計法（Quasi-Experiment Method）進行多元實證資料蒐集，以偏最小平方結構方程模型進行分析與假說驗證。透過620位曾使用社群媒體或YouTube的樣本分析結果顯示：YouTuber的「可信賴性（T

rustworthiness）」、「專業性（Expertise）」與「相似性（Similarity）」，內容的「創新性（Innovativeness）」、「豐富性（Richness）」與「關鍵多數（Critical Mass）」會透過「來源吸引力（Source Attractiveness）」與「資訊可信度（Information Credibility）」中介機制進一步影響觀看者的資訊採用意願（Adoption Intention），涉及了「順從（Compliance）－關鍵多數」、「認同（Identification）－來源吸引力」與「內化（Internalization）－資訊可信度」三

個社會影響過程。此外，本研究深化過去學理，發現YouTuber與觀看者間的「相似性」及內容的「創新性」，對於「來源吸引力」與「資訊可信度」的影響關係呈現非線性的現象。最後，本研究也延伸過去資訊採用決策的學理，發現YouTuber的「性別」與「年齡」會促進「YouTuber屬性特徵」對「來源吸引力」與「資訊可信度」之影響，觀看者的「性別」會促進「來源吸引力」與對「資訊採用意願」之影響；除了深化過去行銷傳播與社群媒體的文獻之外，也提供行銷經理人擬定行銷推廣方案之具體建議。

Being Britney: Pieces of a Modern Icon

為了解決Us pop music的問題，作者Bickerdike, Jennifer Otter 這樣論述：

Dr. Jennifer Otter Bickerdike is a familiar name in the world of pop culture. An academic, writer, presenter, and historian, Jennifer has spent her life dedicated to the mistress that is rock ’n roll. With more than thirty years of experience in the culture industries, ranging from her time as a for

mer music industry executive in the US to surviving three waves of dot-com bubble bursting in the Silicon Valley, Jennifer brings a unique perspective to the discussion of contemporary music and media. A recovering Anglophile herself, she has authored several books on the topics of music, fandom, an

d celebrity cultism, including 2017’s #1 bestseller, Why Vinyl Matters; Joy Devotion: The Importance of Ian Curtis and Fan Culture; The Secular Religion of Fandom; and Fandom, Image and Authenticity: Joy, Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Jennifer is the Global Music Ambas

sador for the British and Irish Modern Music Institute, co-founder of The Songs That Saved Your Life podcast and Moving the Needle, a nonprofit organization founded to support women in the UK music industry through their entire career. Originally from Santa Cruz, California, Jennifer now lives in Lo

ndon with her husband James and rescue dog Alfie. Connect with Jen on Instagram @JenniferOtterBickerdike or on her website www.jenniferotterbickerdike.com for more information, newest events, and appearances.

流行音樂演奏者使用個人混音器之體驗研究

為了解決Us pop music的問題，作者鄧人傑 這樣論述：

流行音樂的舞臺上演奏者為觀眾彈奏演唱，帶動著觀眾情感，卻鮮少人知道演奏者的感受。研究者從流行音樂演唱會場域出發，探討演奏者常用的個人混音器使用體驗，主要研究目的為個人混音器發展過程與核心技術、分析個人混音器應用方式與使用現況及演奏者使用個人混音器之體驗分析，最終提出未來建議。本研究採用使用者體驗研究，並運用蜂巢式體驗模型，以質性方式進行產業相關演奏者與從業人員訪談。從應用現況分析研究結果發現，個人混音器使用於中大型演唱會已成為趨勢；個人混音器的通道數可能將不足；各廠牌操作體驗差異大，對演奏者的影響體驗結果發現，使用個人混音器失去聲音平衡統一性；使用耳機聆聽可能產生與觀眾之間距離感。依據上述結

論，本研究提議提供專業教學課程，（一）培養良好使用習慣：改變聆聽習慣、保護耳朵做起，演出中固定個人混音器混響比例，以自我彈奏音量為主；（二）建議 開發商發展無線個人監聽混音器的可能性；（三）制訂場館音壓標準，預防演出過大的音壓與震動造成爭議。除舞臺演奏者體驗研究外，眾所皆知，臺上每一位演奏者皆是為了觀眾而來，建議未來可延伸流行音樂場域觀眾研究，以利創造出更多的商業與學術價值。