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A Good-Natured Riot: The Birth of the Grand Ole Opry

為了解決blue comedians的問題，作者Wolfe, Charles K. 這樣論述：

Winner of the Ralph J. Gleason Music Book AwardWinner of the ASCAP Deems Taylor AwardOn November 28, 1925, a white-bearded man sat before one of Nashville radio station WSM's newfangled carbon microphones to play a few old-time fiddle tunes. Uncle Jimmy Thompson played on the air for an hour that

night, and throughout the region listeners at their old crystal sets suddenly perked up. Back in Nashville the response at the offices of National Life Insurance Company, which owned radio station WSM ("We Shield Millions"), was dramatic; phone calls and telegrams poured into the station, many of t

hem making special requests. It was not long before station manager George D. Hay was besieged by pickers and fiddlers of every variety, as well as hoedown bands, singers, and comedians--all wanting their shot at the Saturday night airwaves. "We soon had a good-natured riot on our hands," Hay later

recalled. And, thus, the Opry was born. Or so the story goes. In truth, the birth of the Opry was a far more complicated event than even Hay, "the solemn old Judge," remembered. The veteran performers of that era are all gone now, but since the 1970s pioneering country music historian Charles K. Wol

fe has spent countless hours recording the oral history of the principals and their families and mining archival materials from the Country Music Foundation and elsewhere to understand just what those early days were like. The story that he has reconstructed is fascinating. Both a detailed history a

nd a group biography of the Opry's early years, A Good-Natured Riot provides the first comprehensive and thoroughly researched account of the personalities, the music, and the social and cultural conditions that were such fertile ground for the growth of a radio show that was to become an essential

part of American culture. Wolfe traces the unsure beginnings of the Opry through its many incarnations, through cast tours of the South, the Great Depression, commercial sponsorship by companies like Prince Albert Tobacco, and the first national radio linkups. He gives colorful and engaging portrait

s of the motley assembly of the first Opry casts--amateurs from the hills and valleys surrounding Nashville, like harmonica player Dr. Humphrey Bate ("Dean of the Opry") and fiddler Sid Harkreader, virtuoso string bands like the Dixieliners, colorful hoedown bands like the Gully Jumpers and the Frui

t Jar Drinkers, the important African American performer DeFord Bailey, vaudeville acts and comedians like Lasses and Honey, through more professional groups such as the Vagabonds, the Delmore Brothers, Bill Monroe and the Blue Grass Boys, and perennial favorite Roy Acuff and his Smoky Mountain Boys

. With dozens of wonderful photographs and a complete roster of every performer and performance of these early Opry years, A Good-Natured Riot gives a full and authoritative portrayal of the colorful beginnings of WSM's barn dance program up to 1940, by which time the Grand Ole Opry had found its na

tional audience and was poised to become the legendary institution that it remains to this day.

How to Be Funny: The Essential Comedy Handbook

為了解決blue comedians的問題，作者Littleton, Darryl 這樣論述：

Ever wonder why funny people win? It's because we reward personalities who make us feel good. The guy gets the girl. The worker gets the promotion. The politician wins the race. Some say a sense of humor is a gift, but is it? There are many people who are born funny. Whatever they say always seems t

o get a laugh, but that doesn't mean they know how to hone this ability. So, the question is how funny do you have to be to be funny enough to reap the rewards of a being funny? Let's face it - all walks of life can benefit from getting laughs. - Sales People - Lawyers - Politicians - MCs - Telemark

eters - Bail Bondsmen - Beauticians - Dentists - Office Managers - Authors / Speakers - Newscasters - Columnists - Bloggers - Clergymen - Motivational Speakers - Tattoo Artists - And of course comedians This handbook will teach anybody the tools to be funny. If you're a comedian the contents are ind

ispensable. If you're amongst the multitude of other non-comedic professions this book is your secret weapon. Your sales will increase. Your congregation will be more attentive. Your employees will be more motivated and nobody will quite know why they like you more. I've been a professional comedian

in a career that spans four decades. I've worked as a stand up, comedy actor, producer of comedy, voice-over artist, author of comedy books, promoter of comedy shows, writer for over 100 comedians, interviewer for comedy documentaries, columnist for comedy magazines and I sit on the advisory board

of the Comedy Hall of Fame as a comedy historian. I've helped others feed their families and attain comfortable lifestyles through the art of laughter and I'm certain these pages will assist you. Darryl Littleton began his comedy career writing sketches for ＂The Tom Joyner Morning Show＂ on CBS Rad

io. He became a regular at the Comedy Store with the stage name, ＂D’Militant＂ for his slicing and incisive social and political commentary. Darryl landed a job as D. L. Hughley’s exclusive writer on BET’s ＂Comic View＂, where Darryl was promoted to writer/producer and penned material for Cedric the E

ntertainer, Sommore and Don DC Curry. Darryl’s television credits include Robert Townsend’s WB sitcom, ＂The Parent Hood＂, Townsend’s variety show ＂Townsend Television＂ for Fox, HBO’s ＂Def Comedy Jam＂, Comedy Central’s ＂Make Me Laugh＂, Martin Lawrence’s ＂1st Amendment＂, Telemundo’s ＂Loco Comedy Jam＂,

Byron Allen’s ＂Comic’s Unleashed＂ and ABC’s ＂America’s Funniest People＂; he was the Grand Prize Winner. Darryl was also featured in the films, ＂All Lies on Me＂ and ＂Diamond Dawgs＂. Darryl toured Europe and Asia performing for the US military. In 2002 he released his acclaimed CD, ＂Am I Lying?!＂ and

was a columnist for ＂Comedy the Magazine＂ and ＂The Humor Mill＂. In 2006 Darryl won the prestigious Bay Area Black Comedy Competition on its 20th Anniversary and worked as a commentator for NPR immediately following the release of his first book, ＂Black Comedians on Black Comedy＂, chronicling the hi

story of African-American comedy. This prestigious work is taught at USC. Robert Townsend adapted the book as a full length documentary, entitled, ＂Why We Laugh＂, which made its premiere at the Sundance Film Festival in 2009. Darryl served as executive producer. He was also script supervisor, tourin

g host and personal writer for comedian, Katt Williams. Darryl Littleton is the Associate Curator of the Comedy Hall of Fame. In 2011 and 2012 he published 3 books: ＂Pimp Down: The Rise & Fall of Katt Williams＂, ＂Forefathers＂, the story of the American Revolution told from a black perspective, and ＂

Comediennes: Laugh Be a Lady＂, which he co-wrote with his wife / comedienne, Tuezdae Littleton. Darryl co-hosted the radio program, ＂Tuezdae’s with D’Militant＂ (2013), toured the nation as a public speaker and in 2014 Darryl launched his fifth book, ＂How to Be Funny: The Essential Comedy Handbook＂;

a tutorial on the art of laughter. That same year Darryl produced ＂Black & Blue: The Laff Records Collection＂, a compilation of classic party records from Redd Foxx, Marsha Warfield and more. In 2015 his sophomore album ＂Too Raw for Mainstream was released.

喬治卡琳單口相聲中的政治幽默

為了解決blue comedians的問題，作者陳啟淳 這樣論述：

此篇論文主要探討已逝單口相聲巨擎喬治·卡琳在其演出中政治幽默之特徵；研究以文化研究質性研究方法為架構，並運用論述分析與社會語言學研究法、最後以語料庫語言學佐證其研究發現：如常用委婉語之扭曲等等。喬治·卡琳之重大影響包括美國自由派思想之孳生成長，如1973年美國聯邦通信委員會(FCC)對其言論自由之箝制，最終由美國最高法院確認其政府權力以限定「不雅言談」之法律強制性預防。