le 的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列線上看、影評和彩蛋懶人包

The Battle of the Somme 1916: Developing the Offensive – July to Mid September

為了解決le 的問題，作者Cave, Nigel/ Sheldon, Jack 這樣論述：

After the initial anticipation of great results for the Allied offensive that opened on 1 July, the French and the British had to consider their next moves. Haig made the fateful decision to reinforce perceived success at the center and south of the British line (although Joffre, rightly, wished

to continue the pressure at Thiepval). The result was a series of minor (if expensive) operations to provide a suitable base line for the next major British assault along the Bazentin Ridge, running approximately from east of Longueval to west of Bazentin le Petit Wood. Thus Ovillers, Mametz Wood an

d Tr nes Wood became prominent in Britain's military history. The French soon began to appreciate that the great success south of the river on 1 July was not going to achieve much more unless the front was extended southwards (impractical, given pressure at Verdun and limited manpower resources); or

if advances could be made north of the river that would outflank the Germans to the south. Meanwhile Falkenhayn continued to believe in the imminence of British offensive action further north, in French Flanders, despite the fact that he was reassured time and again that there was no evidence for t

his and that in any case such an eventuality could be contained with reduced resources. Eventually the offensive in Verdun was halted, in late August Falkenhayn was removed after he had presided over increasing friction at the highest level on the Somme front amongst senior commanders; Ludendorff an

d Hindenburg took over and the genius of German defensive measures, Lo berg, arrived on the scene. This book covers actions at Ovillers, Pozi res (notably involving the Australians) Mametz, Delville Wood (South Africa's first great war time action in Europe), the bitter fighting at High Wood, all le

ading up to the great attack on the Somme on 15 September. This was the third such major effort by the British army and the first time since 1 July that the Allies had attacked simultaneously in strength. The book then looks at aspects of the fighting associated with this attack, in particular the r

ole of the New Zealand Division and of the Guards Division around Les Boeufs. It then concentrates on the Anglo French boundary area (Guillemont and Combles) before considering French activity at Maurepas, Cl ry, Biaches and La Maisonette and the extension of the French front on 3 September, with fi

ghting at Soy court, Lihons and Vermandovillers. The book ends with a review of the situation both sides found themselves in mid September, before the action continued its relentless grind at extraordinary cost in men and materiel.

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The World Atlas of Art Nouveau Architecture

為了解決le 的問題，作者Bercedo, Ivan/ Mestre, Jorge (EDT) 這樣論述：

The result of years of research, this epic volume shows the global reach of the Art Nouveau idiomModernismo, Jugendstil or Art Nouveau--the different names given to Art Nouveau in different geographical contexts highlight the territorial scope and diversity of the style, but also its common featu

res: it was new, modern, young and groundbreaking. Whether in Austria, Spain, Denmark or Russia, Art Nouveau defined itself as something that opposed tradition and broke with the past.Rejecting a classicizing academic grammar, and reaching deep into the fantastical for inspiration (from the imagined

history of the medieval to the Orientalist exotic), artists and architects such as Victor Horta, Hector Guimard, Viollet-le-Duc, William Morris, Otto Wagner, Samuel Bing and the Goncourt brothers created a new style with a holistic vision, embracing architecture, painting, graphic art, interior des

ign, textiles, ceramics and metalwork. Imaginative form was matched by innovative building techniques. The architects of Art Nouveau were some of the first to experiment with building with iron, glass, pottery and prefabricated concrete; their buildings offer instructive models of industrial develop

ment and collaborative design. Beautifully illustrated and exhaustively researched, The World Atlas of Art Nouveau Architecture brings together a selection of key Art Nouveau buildings in a truly global survey that includes, for the first time, examples of the style outside of Europe. Exemplars of t

he form were chosen through a rigorous selection process involving a panel of expert advisors with specialist input from each world region. A general introduction to the style grounds the selection, and short essays explain how Art Nouveau differed in different cities and countries. The World Atlas

of Art Nouveau Architecture honors one of the world's first truly global modern art movements.

錨定含吡啶與吡唑雙配位基於氧化鋅奈米粒子的合成、催化與水中的應用

為了解決le 的問題，作者廖建勳 這樣論述：

本篇論文選擇以吡唑、吡啶以及含有羧酸根官能基的含氮雜環碳烯為主要結構，藉由中性分子化合物 (NHC-COOH) (5) 錨定在氧化鋅奈米粒子，成功合成出氧化鋅奈米粒子載體 (ZnO-NHC NPs) (9)。而且有機分子修飾在氧化鋅奈米粒子上，能使得氧化鋅奈米粒子載體 (ZnO-NHC NPs) (9) 均勻分散在高極性的溶劑中，因此可以利用核磁共振光譜儀、紅外線光譜儀進行定性與定量分析，並用穿透式電子顯微鏡量測粒徑大小。 除此之外，也把氧化鋅奈米粒子載體 (ZnO-NHC NPs) (9) 與鈀金屬螯合鍵結成鈀金屬氧化鋅奈米粒子載體 (Pd-NHC ZnO NPs) (1

0)。並且應用於 Sonogashira 偶聯反應，探討分子式觸媒 (Pd-NHC) (6) 與載體式觸媒 (Pd-NHC ZnO NPs) (10) 的催化活性。研究結果顯示載體式觸媒 (Pd-NHC ZnO NPs) (10) 的催化效果與分子式觸媒 (Pd-NHC) (6) 相當，這結果可證明不會因為載體化的製程，而減少中心金屬的催化活性，而且載體式觸媒 (Pd-NHC ZnO NPs) (10) 可以藉由簡單的離心、傾析後，即使經過十次回收再利用，仍然保持著很高的催化活性。 工業廢水是近年來熱門討論的議題，廢水中所含有的重金屬離子往往會造成嚴重的環境汙染。而這些有毒的金屬汙染物

不只汙染了大自然，更是影響了人類的健康。因此，如何從廢水中除去重金屬離子是非常重要的技術。在本篇研究中，利用氧化鋅奈米粒子載體 (ZnO-NHC NPs) (9) 當作吸附劑，把廢水中常見的鋅、鉛、鎘等金屬，以及硬水溶液中的鈣、鎂金屬成功吸附。接著利用氫氧化鈉當作脫附劑，成功的把金屬離子脫附下來，並且進行再次吸附，也達到很好的效果。除了吸附與脫附的定性分析，本論文也進行吸附的定量分析實驗，發現與文獻其他相近系統效果相當，尤其在低濃度金屬離子的吸附更是優於許多文獻數值。