韓劇電影你都看哪一部呢？論文書籍站
披頭四解散的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列線上看、影評和彩蛋懶人包
披頭四解散的問題，我們搜遍了碩博士論文和台灣出版的書籍，推薦大衛．薛夫寫的 給和平一個機會：約翰.藍儂未完成的夢!搖滾傳奇生前最後一場與小野洋子的重要專訪，關於永恆的愛、和平與真理。 和的 Get Back: The Beatles都 可以從中找到所需的評價。
另外網站披头士乐队解散的原因是什么？ - 知乎也說明：披头 士在最辉煌的时候解散，但同期成名的滚石却像方舟子一样从一个辉煌走向另一个辉煌。这是什么原因呢？如果仔细捉摸，里面有意思的东西很多。 披头士解散，主要是麦 ...
這兩本書分別來自尖端 和所出版 。
最後網站披頭四半世紀前分手之謎保羅麥卡尼怪罪約翰藍儂 - 奇摩新聞則補充：（路透倫敦11日電）披頭四1970年解散，成員保羅麥卡尼（Paul McCartney）最近接受訪問時透露，若已故成員約翰藍儂（John Lennon）當年沒有退出， ...
給和平一個機會：約翰.藍儂未完成的夢!搖滾傳奇生前最後一場與小野洋子的重要專訪，關於永恆的愛、和平與真理。
為了解決披頭四解散 的問題，作者大衛．薛夫 這樣論述：
★ Amazon.com與全球最大書評網Goodreads讀者近五星好評！ ★ 首度在台公開！約翰．藍儂生前與妻子小野洋子的最後一場重要專訪！ ★ 約翰．藍儂自認「最大規模、最具指標性、最貼近藍儂與洋子」的獨家專訪！ ▎披頭四的靈魂人物、史上最偉大的搖滾傳奇——約翰・藍儂璀璨耀眼的生命！ ▎搖滾樂音裡永恆的愛與和平！響徹全球的和平之聲，「給和平一個機會」的懇切渴求。 約翰．藍儂（John Lennon，1940年10月9日－1980年12月8日）作為流行音樂史上最成功的商業樂團「披頭四樂團」的創始成員，對全球流行音樂有著舉足輕重的影響，於1960年代掀起「披頭四
狂熱」並聞名全球。藍儂參與演出與創作的單曲，有25首拿下美國《告示牌》百大單曲榜的冠軍；他在披頭四解散後單飛，其個人專輯在美國的銷量更是超過了1,400萬張。其畢生透過音樂與各種形式鼓吹和平、反戰思想，引領戰後嬰兒潮反對越戰，除了入選「詞曲作者名人堂」外，也兩度入選「搖滾名人堂」，並在BBC「最偉大的100名英國人」票選中獲得第8名。 約翰．藍儂總不畏懼於其音樂、文字、繪畫和採訪中展現他的叛逆、執著與嘲諷，他的作品如〈想像〉及與洋子的〈給和平一個機會〉，如今也已然成為人們在對抗不公不義時的口號，以及慶祝離美好世界更近一步時的歡呼——人們在柏林圍牆倒塌時唱著他的歌，在反對美國出兵伊朗和阿富
汗的示威遊行中唱他的歌，在期盼蘇聯政府改革開放的同時唱他的歌……直到二〇二一年，〈想像〉的樂聲也依舊在東京奧運的開幕式會場上繚繞著。 ▎由《紐約時報》暢銷榜冠軍作者大衛．薛夫親自彙整41年前的專訪，萬眾矚目！ ▎解密搖滾神話眾說紛紜的人生──約翰．藍儂與小野洋子最赤裸、真實的自我剖析。 這篇為期三週的貼身專訪於1981年刊登於雜誌《花花公子》，作者大衛．薛夫關鍵地提問，並如實呈現藍儂夫妻回應的基調，使讀者具有親臨訪問現場的臨場感。書中紀錄約翰・藍儂與其妻小野洋子二人最豐富、傳神及完整的訪問，關於愛、和平、理想、真理、藝 術、創作、音樂和童年等各種極其隱私的故事與見解。而藍儂也於
書中正面回應披頭四的解散、與保羅．麥卡尼的分歧，以及對人生、音樂、家庭、金錢、女性、宗教等方面的見解，更首度暢談與洋子的愛情史、觀念及精神。 這是一篇在約翰・藍儂毫無防備的情況下所進行的傑出訪問，貼切地描述藝文界才子大衛．薛夫、搖滾傳奇約翰・藍儂與前衛藝術家小野洋子之間廣泛、活躍且激烈的對話——約翰・藍儂於本書中暢談對未來的愛、嚮往與規劃，卻遺憾地在採訪完成後三日遭刺殺身亡。而在約翰．藍儂逾40年之際，作者重新整理該訪問並加上全新介紹，與讀者一同緬懷搖滾界永遠的神話。 專文推薦 白紀齡（資深音樂人） 張鐵志（《VERSE》雜誌社長暨總編輯） 聯名推薦 瓦力（粉專「瓦力
唱片行」店長） 李取中（《大誌雜誌》、《週刊編集》總編輯） 李明璁（社會學家、作家） 吳柏蒼（回聲樂團主唱） 林生祥（音樂人） 馬世芳（廣播人、作家） 理想混蛋 雞丁（民謠樂團主唱） 黃子佼（跨界王） 熊一蘋（作家） 國際盛讚 「對音樂天才進行令人著迷的細膩專訪……極有價值的作品！」──《紐約時報》 「薛夫極具同理心的訪問，喚起太多有關披頭四與藍儂的精采過往與未來規劃，即使後來那場駭人的悲劇沒有發生，這場訪談也同等重要且精彩！」──《洛杉磯時報》 「生動地證明藍儂與小野洋子最好的藝術成就，就是他們的生活。」──《時代》 讀者好評 「在
讀這本書之前，我沒料到約翰是缺乏安全感且脆弱的，而人們對小野洋子也有太多誤解。如果沒有她，約翰會住在河邊的一輛麵包車裡。她挽救了他的財富。」──James S 「強烈推薦！紀錄約翰和洋子私下坦率且透徹的對話，揭開傳奇的面紗——約翰・藍儂，一名為兒子烤奶酪三明治的父親！」──Kid Ferrous 「對約翰・藍儂、小野洋子或披頭四感興趣的人而言，這場專訪是一座寶庫！」──Donna Davis 「快樂與悲傷共存的一本書，約翰在這場專訪後不久去世。從他對過去的深思熟慮，以及對未來的先見之明等豐富多彩的見解來看，這場專訪有種難以形容的辛酸。」──Dr. Tim 「一場明智、富
有詩意、有趣、令人震驚（尤其關於養育子女的部分）、誠實且鼓舞人心的訪談，這三人之間的默契令人眼花繚亂。約翰和洋子處於最坦誠、無所畏懼且毫無防備的受訪狀態，而薛夫透過詳細的視覺描寫將讀者帶入他們的房間。」──Sarah
Get Back: The Beatles
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為了解決披頭四解散 的問題，作者 這樣論述：
★首度公開！傳奇樂團披頭四1970年最後一張專輯《Let It Be》幕後創作紀實 ★收錄數百張從未曝光照片 ★獨家披露四人會議逐字稿 本書從披頭四解散前一年1969年的一月揭開序幕，當時他們第九張錄音室專輯The BEATLES（The White Album）登上排行榜冠軍，四人齊聚倫敦著手新企畫。在接下來超過二十一天日子裡的場景首先出現在特威肯曼電影製片所（Twickenham Studios），接著在全新的地下錄音室Apple Studio，他們用攝影機和錄音機記錄每天的工作和對話。期間他們排練了大量歌曲，並在自己的蘋果唱片總部頂樓舉辦舉辦了一場即興演唱會，震驚了倫敦市中心直到警
察前來才結束。 這本《The Beatles: Get Back》以文字記錄樂團坦誠的對話，講述樂團解散前這段時間發生的故事。英國著名音樂類型作家John Harris彙整超過120小時的錄音，帶讀者重返錄音室身歷其境。當時拍攝搖滾樂團聞名的攝影大師Ethan A. Russell，以及為名人和流行音樂家拍照的專業攝影師Linda McCartney（兩個月後與保羅•麥卡尼結婚）特別獲准為他們紀錄影像，數百張當時拍攝的照片將在本書首次發表。 書中還特別收錄選自魔戒名導Peter Jackson紀錄片《披頭四：GET BACK》55小時修復鏡頭的獨家高解析度畫面。今年本書將與該紀錄片
同步紀念《Let It Be》50周年里程碑。 本書回顧披頭四面臨分崩離析的嚴峻時期。 但如著名小說家Hanif Kureishi在序中所言：「他們當時正處於巔峰期，創作出最好的作品。我們有幸目睹形塑他們巨作的初期草稿、錯誤、轉變、離題、無聊、興奮、干擾和突破。本書在他們最後一場表演經過半個世紀之後，完成了披頭四創意奇才、永恆音樂和振奮人心的傳奇故事。」 “本書可見Ethan A. Russell和Linda McCartney的照片，Peter Jackson和Hanif Kureishi的文字。但最棒的是，書中會議的逐字稿就像諾貝爾文學獎作家Samuel Beckett寫下的
對白。” ——美國權威音樂雜誌《滾石雜誌》 “平心而論，Let It Be至今仍象徵披頭四的解散。真相其實略有出入。Let It Be的真實故事在蘋果唱片總部封印了50年。” ——Peter Jackson The most anticipated book in more than a decade by the legendary band, The Beatles: Get Back is the official account of the creation of their final album, Let It Be, told in The Beatles’ own
words, illustrated with hundreds of previously unpublished images, including photos by Ethan A. Russell and Linda McCartney. Half a century after the 1970 Let It Be album and film, this milestone book coincides with the global release of Peter Jackson’s documentary feature film, The Beatles: Get Bac
k. The book opens in January 1969, the beginning of The Beatles’ last year as a band. The BEATLES (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, wit
h cameras and tape recorders documenting every day’s work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt. The Beatles: Get Back tells the sto
ry of those sessions through transcripts of the band’s candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life th
rough hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions―Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footag
e from which Peter Jackson’s documentary is also drawn. Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, “In fact this was a productive time for them, when they created some of their best work. A
nd it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire." Half a century after their final performance, this book completes the
story of the creative genius, timeless music, and inspiring legacy of The Beatles. THE BEATLES are the bestselling music act of all time. Between 1962 and 1970 John Lennon, Paul McCartney, George Harrison and Ringo Starr released thirteen albums as a band, made five films together, and topped th
e charts all over the world. Until 1966 they toured the world to unprecedented mass acclaim, inspiring the phenomenon of Beatlemania. Their creativity stretched the possibilities of popular music and -- working with their producer George Martin -- they revolutionized studio recording processes. They
had an unrivalled impact on the music industry, fashion, popular culture and society in the 1960s and beyond, and their influence persists today. PETER JACKSON is an Academy Award winning director, producer and screenwriter. His films include The Lord of the Rings and The Hobbit trilogies as well
as the BAFTA nominated World War One documentary They Shall Not Grow Old. In 2018 he began work on a new documentary about The Beatles’ 1969 Let It Be sessions, making use of the 55 hours of footage that have never been seen. HANIF KUREISHI is the author of The Buddha of Suburbia, which won the Whi
tbread Prize for Best First Novel, The Black Album, Intimacy, The Last Word, The Nothing, and What Happened? His screenplay for My Beautiful Laundrette received an Oscar nomination for Best Screenplay. Kureishi has been awarded the Chevalier de l’Ordre des Arts et des Lettres, the PEN Pinter Prize,
and is a Commander of the Order of the British Empire. His work has been translated into thirty-six languages. JOHN HARRIS writes for The Guardian and Mojo magazine. His books include The Last Party, about the culture of the 1990s, and the definitive account of Pink Floyd’s The Dark Side Of The Moo
n. In 2018, he contributed an essay to the 50th anniversary edition of The Beatles’ White Album. ETHAN A. RUSSELL is a multiple Grammy(R)-nominated photographer, director and author of four books. He is the only photographer to have shot covers for The Beatles, The Rolling Stones and The Who. He wa
s invited by The Beatles to photograph the band’s recording sessions in January 1969 and his images adorn the sleeve of the Let It Be album. LINDA McCARTNEY was a prolific photographer and began her four decade career chronicling the musical revolution of the 1960s. In 1967 she was voted US Female
Photographer of the Year and in 1968 she became the first female photographer to shoot the cover of Rolling Stone magazine. Her photographic work went on to focus predominantly on the themes of social commentary, domesticity, nature and the experimentation of printing techniques. Linda’s exhibitions
have been exhibited in over 70 cities and feature in the collections of the Victoria & Albert Museum and National Portrait Gallery. Between 1967 and 1969 Linda frequently photographed The Beatles, including the Get Back sessions, and she married Paul McCartney in March 1969. As well as her photogra
phic career, Linda was a cookbook author, vegetarian pioneer, musician and mother of four.