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Transformer: How Lou Reed’s LGBTQ+ Love Songs Changed Us

為了解決Album cover的問題，作者Doonan, Simon 這樣論述：

In this funny and poignant memoir and cultural history, the television personality, columnist, and author of Drag pays homage to Lou Reed’s groundbreaking album Transformer on its fiftieth anniversary and recalls its influence on his coming of age and coming out through glam rock.In November 1972

, Lou Reed released his album, Transformer because he thought it was ＂dreary for gay people to have to listen to straight people’s love songs.＂ That groundbreaking idea echoed with the times. That same year, Sweden was the first country to legalize gender-affirming surgery, and San Francisco struck

down employment discrimination based on sexual orientation.Sometimes an artistic creation perfectly aligns with a broader social and political history, and Transformer--with the songs ＂Walk on the Wild Side,＂ ＂Perfect Day,＂ and ＂Vicious＂--perfectly captured its time. ＂Walk on the Wild Side＂ was bann

ed on radio across the country but became a massive hit when young people threatened to boycott stations that would not play it. The album’s cover featured a high-contrast image of Lou, flaunting a new mascara’d glamrock incarnation, shot by legend Mick Rock, thereby underscoring his intention to cr

eate a gay album.In Transformer, Doonan tells the story of how Lou Reed came to make the album with the help of David Bowie, and places its creation within the course of Reed’s life. Doonan offers first-hand testimony of the album’s impact on the LGBTQ+ community, recalling how it transformed his o

wn life as a 20-year-old working class kid from Reading, England, who had just discovered the joys of London Glam Rock and was sparked by the artistic freedom of Warhol’s The Factory. Transformer was a revelation--hearing Reed’s songs, Doonan understood how the world was changing for him and his fri

ends.A poignant, personal addition to modern music and LGBTQ+ history, Transformer captures a pivotal moment when those long silenced were finally given a voice. As transgender icon Candy Darling, highlighted in his lyrics, told Reed, ＂It’s so nice to hear ourselves.＂Transformer includes approximati

vely 16 pages of black-and-white and color photos.

Album cover進入發燒排行的影片

美中於東南亞的競逐戰略：權力轉移重現或反轉

為了解決Album cover的問題，作者張喁 這樣論述：

冷戰結束以來，世界形成單一超強的穩定階層體系。然而美國的相對衰退以及中國崛起成為其主要挑戰者，帶來另一個冷戰的隱憂。隨著川普上任後對中貿易戰如火如荼的開展，全球不再平靜，二戰後未見的衝突規模隱然若現。就權力平衡的觀點，強權間的均勢帶來國際體系的穩定，然而權力轉移論卻認為此刻若一國對另一國或現狀不滿意，發動戰爭的可能性便會遽增。於此美中對立節節升高之際，本文分析二國於東南亞的戰略、實際作為、與各國的反應，研究權力轉移是否已然重現，或是原有霸權得以反轉該趨勢。

Romania: Landscape, Buildings, National Life

為了解決Album cover的問題，作者Goga, Octavian,Latham Jr, Ernest H.,Hielscher, Kurt 這樣論述：

Originally published in 1933, Romania by Kurt Hielscher is an astonishing volume of photographs depicting the life of Romanian people in the interwar era. In 1931 he was invited by the Romanian government to visit the country. ＂As time went on,＂ he said ＂every day, every week I loved the country mor

e.＂ It was a love that grew throughout 1931 and 1932 and resulted in over 5000 photographs of which 304 were finally selected for this album. Unfortunately in 1944, an Allied bombing destroyed his life’s work after hitting his workshop in Poland. He lost over 40,000 photographs and negatives. This p

hoto album is a recreation of Hielscher’s work and brings an homage to the love and appreciation he showed for Romania. Featuring over 300 black and white and sepia photographs, a colorized cover, a preface from Octavian Goga, and an introduction by Ernest H. Latham, Jr., it’s a one-of-a-kind collec

tion for anyone interested in the history of Romania. Octavian Goga was born in Rasinari, near Sibiu, and attended Eötvös Loránd University. Goga was a Romanian politician, an active member in the Romanian nationalist movement in Transylvania, a poet, playwright, journalist, and translator. His mo

st popular books include Poezii, A Prayer, Ne cheama pamântul, and Cântece fara tara. He died on May 7, 1938, in Ciucea, Romania. Ernest H. Latham, Jr. is an American historian and diplomat. He served as the American cultural attaché in Romania between 1983 and 1987. He is the author of Timeless an

d Transitory, and numerous articles and reviews about Romania. He edited and reintroduced Athene Palace by Countess R. Waldeck, republished in several editions and translations. He revised the entries on Romania for the Encyclopaedia Britannica, edition 2000. He was a Fulbright Professor in Romania,

at the Babes-Bolyai University in Cluj-Napoca, and at the University of Bucharest. Kurt Hielscher (1881-1948) was one of the most famous German photographers of the interwar period. He was renowned for his books portraying various countries of Europe.

臺灣當代原住民族音樂之多元音樂風格融合研究-以《莎韻．DOZO》專輯為例

為了解決Album cover的問題，作者黃士佳 這樣論述：

當代主要以漢人為主體的臺灣，原住民族大約僅佔2%人口，卻擁有著豐富多元的文化，為臺灣重要的文化資產之一，近年政府為提升整體本土語言及文化傳承、升級與推廣，辦理了多項活動與比賽、提出多項補助以及調整重要獎項內容，因此在原住民流行音樂部分，有更多原住民與非原住民音樂人投入原住民流行音樂製作，提升原住民族語音樂品質，融合更多元的音樂風格，同時增加原住民流行音樂作品曝光度與傳唱度，進而使原住民聽眾透過流行音樂認識自己的母語，並提升自我身分認同。本篇論文主要以筆者所統籌製作之泰雅族語專輯《莎韻．DOZO》為例，分析專輯企劃、詞曲創作、音樂製作流程、專輯裝幀設計概念，茲將預期成果分述如下：一、 置入泰

雅傳統文化與族群議題於專輯中：整合都市與山地原住民的成長經驗與所遭遇的困境，以及傳統音樂元素融入歌詞、音樂創作與專輯設計中。二、 落實專輯企劃於音樂製作、裝幀設計中：以專輯企劃中的故事為主體，預先設定主要宣傳對象、每首歌曲的歌名、歌詞大綱、音樂風格、曲序安排及封面設計。三、 多元音樂風格融合呈現泰雅族語流行音樂：以古典音樂、非裔美國人福音音樂、嘻哈繞舌、大樂團以及無伴奏合唱等多元音樂風格融合呈現於專輯中。四、 系統化之音樂製作流程：以系統化的方式將音樂製作中之每項製程進行分類與編排工作流程，並加以分析每項製程之細節。